Archive
New Cosmological Encounters (How to Imagine the New World) is the beginning chapter in an organic, collective, molecular process of world building. It asks, how can we start the process of building a society by looking at our internal psychological and biological relationships, at molecular experiences that go past notions of gender, race or sexuality, and that allow us to re-assess our relationship to society through cosmic quantum bonds? Furthermore, it seeks to find new connections to other beings, things, creatures, stones, bones, beans and plants, from the micro to the macro, and to forge new attitudes towards life, beyond the ethic of work, and death, beyond neo-liberal capitalism. Collaborators such as the Dirty Art Department, Macao, Hallo: Festspiele and Daddies on Acid will produce regular transmissions, and broadcasts including the workshop 'Glass, Trash, Donkey, Pumpkin, Belly, Melody' by Anna Reutinger and Alexandra Phillips to produce clothing for new hybrid beings, and the performance 'Out of Pumpkin' by Franco 'Bifo' Berardi about Eros founding a new society on the Planet Psyche, are coming soon. And most importantly we wait for your contributions to add to the collective voice!
5.2.2021
5.2.2021
Talk Show
hosted by Emanuele Braga, Tulga Beyerle and Jerszy Seymour
Hello World! is the kick start moment for Life on Planet Orsimanirana where our local hosts present the exhibition and radio platform, give a great shout out to all of the collaborators, and discuss the intentions behind the project and its program with local and international collaborators including members of Gängeviertel, HALLO:Festspiele, Studio for Experimental Design HFBK, Macao and the Dirty Art Department.
5.2.2021
Talk Show
with Lisa Mersmann, Luisa Hilmer and Emanuele Braga
5.2.2021
Performance
with Philomena Lauprecht, Itzik Gil Avizohar, Nikita Kotliar, Dominik Linder and Jerszy Seymour.
The Neo-Neanderthal Tapes Part I explores aspects of a new cosmological imagination fusing instinctual composition and found lyrics with garage beats and acid melodies. Found lyrics by the authors, Frogs-Legs, Bear-Head, Man-Hand texts with Raoul Zoellner
5.2.2021
Spoken Word and Music
5.2.2021
by Jeanne Vrastor & Zuza Banasinska
The Great Symbiosis is a satirical fictional podcast, a parallel world where completeness is everything. With the help of Pub, a global A.I assistant, humanity has managed to overcome the crisis of our time. To ensure the general planet equilibrium, beings have gathered in multiple homogeneous communities. Inside each Eukaryoty, all members share common desires, interests and aspirations. Now, it’s time for you to tune in and to listen to your daily notifications. Your Eukaryoty needs you. Do not worry, Pub is here to guide you.
5.2.2021
DJ Set
Pony x Kindergarten
5.2.2021
We decided to introduce the radio show which will be on air every 10th and 20th of each month during Orsimanirana exhibition with different sources recorded during the festival we used to organise every year at Macao.
The opening track is recorded live at 9am during the closing moments of Saturnalia festival in Macao, Milan by Helm.
The audio-documentary was recorded live by Saturnalia Collective member Piezo during the 2018 edition of Saturnalia festival, using a particular technique of field recording, in-ear binaural microphones.
The documentary has been shot during the 2017 edition of Saturnalia festival by Jacopo Farina, interviews by Sonia Garcia and Federico Sardo.
***ATTENTION: to be listened on headphones only***
5.2.2021
DJ Set
Queer Music is a term that serves a dual process, both attributing music to artists identifiable as other than heterosexual, and defining the music itself as being outside the conventional or available categories" (J. Socarras, booklet vinyl record Patrick Cowley, School Daze, Dark Entries, 2013)
8.2.2021
8.2.2021
Performance
Having lived a nomadic life traveling, living and working around the world, Anna Raimondo reflects on her relationships with the different languages of her life: Italian, Spanish, French, and English. At the same time, she attends a phonetic course to learn how to speak with a British accent. Caught somewhere between ridicule and seriousness, hesitation and encouragement, Anna's exploration invites listeners into a sonic soup of lingue / idiomas / langues / languages.
realisation, recording and editing: Anna Raimondo
mix: Bastien Hidalgo Ruiz
A co-production with Atelier de Création Sonore et Dadiophonique (ACSR) in Belgium for Project Empreinte.
10.2.2021
10.2.2021
Mixtape
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
https://instagram.com/drvndrvndrvn?igshid=6pjcxrjkvwdl
@drvndrvndrvn
The Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
The first one our mixtape has been recorded by m.nuella e Luculliana (SOS - Macao, Milan) @C3 studio, the second one has been recorded by Giuliano (Drowen - Macao, Milan) for the festival.
Drowen’s set was played during Turn Us Alias, a video-game festival, a world created on Mindest throughout 2020 quarantine, to represent Macao and our collective.
with
SOS (m.uella b2b Luculliana) + Drowen
DJ Set
Hold sway over the radio!
Recorded on May 26, 2019 at Kraftwerk Bille, Hamburg-Hammerbrook.
https://soundcloud.com/aoldj
11.2.2021
11.2.2021
Reading (by Carsten Rabe and Lisa Mersmann)
Language: German
The prehistory and the day of the squatting of the Gängeviertel in 2009.
Taken from the book "Mehr als ein Viertel", Assoziation A. Hamburg/Berlin 2012.
"In den Keller und zurück in die Welt": Christiane Schuller, Florian Tampe und Marion Walter.
"Handys aus, Akkus raus": Sven Stilich.
12.2.2021
12.2.2021
One hour of improvised piano music broadcasted from a chamber in Hammerbrook high above the Mittelkanal, played by Janosch Henle.
12.2.2021
‘Glass, trash, donkey, pumpkin, belly, melody’ is a workshop and radio broadcast to adorn the human body with new multiplicities—allowing for an expansion beyond basic categorizations while exploring the mish-mash of beings, the built environment and all that moves (or doesn’t) within it. The process involved a temporary transformation into a multi-headed creature with a group of six participants who were led through a series of exercises to generate grotesque forms.
Workshop participants:
Itzik Avizohar, Lara Bogan, Luisa Hilmer, Nikita Kotliar, Dominik Linder, Lisa Mersmann
12.2.2021
WhatsappGroup5
Elisabeth Prehn, Paula Ahn, Moritz Tontsch, Finn Steffens, Hildegard Oehler, Agnete Morell, Roman Steinmetz, Nathassia Arrua
How can we define reality and spirituality in times of algorithmic dependency? Our perception of reality is largely based on digital matters we consume. Social media feeds replace national newspapers and priests. Digging within our echo chambers becomes a spiritual practise. Social media algorithms don't care about political positioning or belief systems – but that the user’s activity is increased. As obstinate companions which are present at any time, algorithms might be our new basis of spirituality: rhythmic trance and algorithmic microdosing.
12.2.2021
DJ Set
INTERZONE live streaming
w/ Electrosexual, Carlos Grabstein, Pescheria Sound Roma, Belzeboop & Belfaggot, Luc Blanko, Maggot Faggot, Suzanne, SXXCL, Playgirls from Caracas and more tba
EVERY FRIDAY from 20h until 00h
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/discover
Complete Streamings Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
Made From Queer Mud (How to Make the New World). After reconsidering our minds and our imagination, its time to reconsider our physicality. From our immediate needs to that of our surroundings and our ecosystem, it asks how to get what we need, and how to make it as a fair exchange? Fire, warmth, a cup of coffee, something to sit on, or another body, Made From Queer Mud reconsiders our primary materials from a non-normative perspective, where differences exist in an organic equality and a DIY futurism. Performances and talks from the workshops such as 'How it all began, Fear and Phobia, and Storage' by Alisa Tsybina, using clay as a prime material from a non-binary perspective, 'Bio-Hacking' by OBOT, and 'The Molecular Queering Agency' by Mary Maggic will be broadcast in this section.
17.2.2021
17.2.2021
Sprudelwasser - Klassik
wir schwimmen in prickelnden Wellen von
Wasser und Klassik und Sprudel und Bläschen
erfrischende Geschichten zu schäumenden und spiegelnden Klängen
tobende Wogen und schimmernde Flächen
gleitet mit uns, taucht mit uns durchs Sprudelwasser
Recorded on August 22, 2019 at Das Archipel, Hamburg-Wilhelmsburg.
https://www.sophieallerding.de/
17.2.2021
DJ Set
DADDIES ON ACID live streaming
EVERY WEDNESDAY from 20h until 00h
w/ Mangoo, Electrosexual, Pescheria Sound Roma, Belzeboop & Belfaggot, Maggot Faggot, Carlos Grabstein, Luc Blanko, Playgirls from Caracas, Petra Flurr and more tba
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
18.2.2021
Setting off from the text "Theorizing Utopian Agency: Two Steps Toward Utopian Techniques of the Self" by Susan McManus (2007) we want to meditate on the possibilities of an affective utopian agency, elicited by the possibility to dream as collective. In the process we mesh vocals with sound and music.
Concept: Lara Bogan
Voices: Lara Bogan, Nikita Kotliar, Chinook Schneider
Mixing+Music: Nikita Kotliar, Dominik Linder
18.2.2021
"Sceneries not songs" is a radio show exploring sounds as construction materials creating sceneries and visions for new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard. For the first episode, we have the pleasure to host Nasty Temple Radio by The Collective of Collectives (AVAF-House of Chroma, Questions Collective, Parasite 2.0 and Sonder).
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
19.2.2021
One hour of improvised piano music broadcasted from a chamber in Hammerbrook high above the Mittelkanal, played by Janosch Henle.
19.2.2021
Episode #1 of DIY Drama. Uncensored plays read by actors and actresses. It's DIY 'cause we choose the scripts, the performers enact them and the listeners have to visualize the setting, the characters' looks, the scenery.
In this episode we talk about the end of the world. Ole Bechtold (Frankfurt), Amanda Akran (USA) and Martin Schirmer (Berlin) read The Scorpion, a play on black holes in the sky and weird sexual fantasies.
Hosted by Sara Paqu Bresciani & Tosco ★ First aired on RadioVirus (Macao) in March 2020.
19.2.21
Live broadcast
Music
Stars collapse and planets align for our weekly interplanetary jam, bringing back the Friday night feels.
19.2.2021
Podcast
by Elisabeth Prehn, Simon Saarinen, Ida Jonsson and Inferkit AI
Gender-fluidity, interspecies relations, post-capitalocene, and non-nation-states: buzzwords but also spectacles we use to write a semi-fictional and messy radio performance predicting a utopian future scenario. The story will be co-authored with a generative writing tool, as a reasonable(?) influence towards a post-human and anti-naturalist narration. As a speculation, the performance aims at becoming a left-hyperstition, narrating history from the future and backwards. Observing a future, which might stay speculative, will still affect the very present and its developments.
19.2.2021
INTERZONE live streaming
w/ Electrosexual, Carlos Grabstein, Pescheria Sound Roma, Belzeboop & Belfaggot, Luc Blanko, Maggot Faggot, Suzanne, SXXCL, Playgirls from Caracas and more tba
EVERY FRIDAY from 20h until 00h
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
*Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
*Daddies on acid: https://soundcloud.com/discover
*Complete Streamings Archive: https://archive.org/details/pixelflowers
*Pixelflowers: https://pixelflowers.noblogs.org
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
20.2.2021
20.2.2021
SATURNALIA RADIO SHOW!
Saturnalia Collective Milan
Mixtape + field recording
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
The Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
The first one our mixtape "Ira in cycle" is by Asmir, one of the member of Saturnalia Collective (Macao, Milan), the second one is by Chiara Ryan, an attendee of the festival, and is part of "Tape Tricks", bootleg fieldrecordings of party environments on limited number cassettes. The project is now evolving into an archive of party bootlegs from different times and places; it has been recorded during Saturnalia 2017
with
Asmir (Macao, Milano) + Chiara Rayan
21.2.2021
21.2.2021
Wir erinnern an und gedenken dem rassistischen
Terroranschlag am 19. Februar 2020 in Hanau und senden Beiträge der
Initiative 19. Februar (www.19feb-hanau.org).
24.2.2021
24.2.2021
Ein echter Krimi.
Recorded at Barboncino 12i, Hamburg - August 29, 2020.
https://soundcloud.com/diekante
https://soundcloud.com/officialbreakdance
24.2.2021
DADDIES ON ACID live streaming
w/ Playgirls from Caracas
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
25.2.2021
25.2.2021
First installment of our sleep exploration series for Life on Planet Orsimanirana.
Recorded at Macao by Primordial OOze & Inner Lakes, Random Aitch & Ghost Note – February 2021, Milano.
_______________________________________________________________________________
As in a lucid dream, we will take advantage of the exceptionality of our state and the malleability of a subconscious environment to reach otherwise inaccessible areas of the psyche. It’s not just relaxation of a tension but becoming receptive to the invisible worlds.
We reclaim the possibility to imagine through the senses and bend the syntax of algorithmic thought to the chaotic flow of spontaneous events. Strange crystals blossom in silence, biochemical polyrhythms of the unseen worlds, spiraling networks of liquid sound.
26.2.2021
26.2.2021
One hour of improvised piano music broadcasted from a chamber in Hammerbrook high above the Mittelkanal, played by Janosch Henle.
Reading of The City of the Sun and Jam-Session brought to you by Hamburgs weirdest......
26.2.2021
INTERZONE live streaming
20h00-23h00: Control Delete
23h00-00h00: Yola Karageorgieva
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
27.2.2021
27.2.2021
Avanspettacolo: a theatrical genre that developed in Italy between the 1930s and 1950s. It features a diverse mixture of music, ballet, sketch comedy, and other forms of art. Emerged during the Fascist era, with the introduction of laws granting tax relief advantages to theatres that would play movies, theatre companies were forced to devise a light form of show that could be performed on stage for the audience before the movie.
3.3.2021
"Durch das offene Fenster dringen vorbeilaufende Gespräche und Geräusche in meine Träume."
Eine Nachtwanderung durch die Klangkulisse des Vogelhüttendeichs.
Feldaufnahmen und Musik von Julius Vogelmann.
Aufgenommen am 22.08.19
Das Archipel, Hamburg-Wilhelmsburg
Credits: https://soundcloud.com/birdman111
4.3.2021
4.3.2021
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard. For the second episode, we have the pleasure to host E L I O.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
04.03.2021
DADDIES ON ACID live streaming
w/ Abrax'ass and Satan'ass
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
5.3.2021
One hour of improvised piano music broadcasted from a chamber in Hammerbrook high above the Mittelkanal, played by Janosch Henle.
A radio art performance executed by Karla, Louisa, Emanuele, Jerszy, Chinook, Philomena, Lara, Dominik, Nikita & Itzik. Commissioned by Pappiripar Festival
5.3.2021
Live Performance
It appears that time as a universal human measure has been obliterated. Clocks and watches have been confiscated. Slipping out from a milky white noise puddle, a gang with furry bodies, voices and feet will enter the radiant Planet Orsimanirana. Transmitting a tensile cushion of lumpy rhythmic vocals on a pink and green sky. Everyone is their own clock and a clock for the others, teasing out a vague memory of what those mechanical measures used to feel like.
Artist and composer Louise Vind Nielsen invites a group of vocal performers (Maria Rincon, Simon Schultz, Sophia Guttenhöfer & Zuza Spyczak von Brzezinska) to embody the milky sequencer and move into the community radio exhibition project ‘Life on Planet Orsimanirana’ by Jerszy Seymour Design Workshop together with Macao, Assemble and the Dirty Art Department in Museum für Kunst und Gewerbe in Hamburg.
Listen as they perform live during the Papiripar Festival. http://www.papiripar.com/
By Mariana Jurado Rico and Levi van Gelder
Episode 3. In U Need to Grow Up: an introduction to the powers of teletransportation, your devoted spiritual mentors Mariana Jurado Rico and Levi van Gelder guide you through the world, history, ethics, do’s and don’ts of (everything but) teletransportation. Traveling from covid-19 isolation to the Mariana Trench, surfing wifi-waves and post-alternative facts, we do what we do best; give unsolicited advice. Employing our pot ledom within, we will embrace you with wisdom, generosity and coinkidinkal life-hacks that will navigate you in a spiritual journey towards enlightenment so you can (finally) grow the fuck up.
05.03.2021
INTERZONE live streaming
20h00-23h00 Lukr Range
23h00-00h00 Hesper Act
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
6.3.2021
Avant Radio presents O.L.I.V.I.A
O.L.I.V.I.A is a 22 years old singer, songwriter and producer from Buenos Aires, Argentina. Almost pop, almost experimental. A little bit human, a little bit android. Natural / Artificial-Tender / Aggressive: O.L.IV.I.A says "HI" from that grey area.
7.3.2021
Start into an easy and fun sunday with the taste of sweet apples!
ANAL.FABETS live streaming
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#analfabets
07.03.2021
I'm a Spanish sound artist and producer settled in Badajoz. I work with tapes, modular synth, modified pedal and shitty circuit that I make myself. I <3 circuitbending stuff and reuse old fashonied electronics to create new instrument. I usually play Ambient, Generative Music, Lo-Fi and Synth Wave.
You can check my work here (Instagram, Bancamp...): https://linktr.ee/OHBravaSura
I´ve made a mix with some of my tracks. Hope you'll enjoy it!
Thank's in advance :)
10.3.2021
Sadan Records is a Tel-Aviv based label, which aims to support local artists who focus on contemporary music production and visuals making. The label was founded in 2020 by a group of producers, CG Artists, and graphic designers. Sadan’s catalog is not bound to a specific style or aesthetic, the label encourages a leftfield approach to any sort of music
Sadan’s first mix for Orsimanirana is a collaborative set made by the label founders. Each Sadan member added 10 – 15 minutes of music to a chain file that was sent from one member to the other. The mix encompasses the influences of the label members.
This is the first show in a series of artist talks reflecting on Radio Orsimanirana's six sections, starting with its first section ‘New Cosmological Encounters (How to imagine the new world)’ which took place between February 2nd and February 14th 2021. The talk features two live guests, the berlin based artist Anna Reutinger, who works with found material between performance and costume design, as well as Leonardo Ruvolo, who is part of the collective Macao in Milan and curator of ‘Landescape 2015’, an artist residency program in Sicily. Pre recorded material for the show include contributions by Hamburg based dancer and choreographer Ursina Tossi, as well as writer and thinker Franco ‘Bifo’ Beradi’s original piece for the show called ‘Chess Mate’.
Live Talk Show guests: Leonardo Ruvolo, Anna Reutinger
Guest contributions: Ursina Tossi, Franco Bifo Berardi
Show hosts: Philomena Lauprecht, Nikita Kotilar
Technics: Karla Bauer
Additional guests: Emanuele Braga, Chinook Schneider
Concept: Jerszy Seymour, Emanuele Braga
10.3.2021
DADDIES ON ACID live streaming
w/ Pixi + Cosma Lab
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
11.3.2021
11.03.2021
In welchem Bezug steht das Gender zu körperlichen Merkmalen? Inwieweit beeinflussen und prägen unsere gesellschaftlich-normativen Verhältnisse unsere Selbstwahrnehmung und unseren Umgang mit Genitalien? Wie könnte sexuelle Bildung der Zukunft aussehen? Wie sieht eine queerfeministische Utopie einer gleichberechtigten Welt aus?
Interview mit Rosa vom queerfeministischen Sexshopkollektiv FuckYeah.
Mehr zu FuckYeah: fuckyeah.shop / @fuckyeah_sexshop
11.3.2021
Bit je u povezanosti do koje dolazim nakon dugog traženja, osjećanja, slušanja...
Otvaram se na svim stranama svijeta...
Es geht um die Verbundenheit zu der ich komme während ich suche, fühle, höre...
Ich öffne mich auf allen Seiten der Welt...
Aufgenommen am 31.05.19
Kraftwerk Bille, Hamburg-Hammerbrook
Credits: https://soundcloud.com/miahadzikadunic
11.3.2021
Dancer Choreographer Ursina Tossi's contribution to Assembly #1 on Orsimanirana Radio's first section 'New Cosmological Encounters'.
http://ursinatossi.hotglue.me
https://wild-archive.blogspot.com/
https://vimeo.com/ursinatossi
12.3.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time with Ofer Tiser - Writer, DJ, Producer & Vocalist. Lives in Jerusalem, does his best to stay out of trouble.
Pic By Natasha Shakhnes
12.3.2021
Chess mate?
There are two kinds of games in the human domain: finite and infinite.
A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.
Finite games are those activities in which you must absolutely follow the rules, because if you don’t follow the rules you are simply not playing the game.
12.03.2021
This is a series of musical conversations. We come from different places, I am a girl from Bogotá and he is a gentleman from Dublin. We share a lot of nostalgia for our hometowns and this is our common ground. The rest is constant confrontation, that is why we have found in sounds and music a place for agreements and disagreements. Let’s solve it with music. We open a space for encounters and dis-encounters, a space for sharing and discovering, a space for truce. The possibility of an unprepared back to back brings a lot of things to the table, we are counting with our memories and our capacities to analyze sound. We would try and maybe fail, but we will definitely create something uncanny for the ears.
12.03.2021
INTERZONE live streaming
w/ about:kaos vs ecce + shadowcomplex
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
13.3.2021
13.3.2021
DJ SET
If you have a hole in your wall or ceiling, you may be frustrated by the difficulty of fixing it so that you don't notice the repair. But don’t worry! Repairing holes in drywall to look very good can be simple with a little know-how, the right tools, and the right materials.
13.03.2021
Beitrag #1
Kunst als Radiosendung mit Pachet Fulmen
und Assistent Trikorder auf Radio FSK
Mitschnitt So 19. Apr 23:00:01 CEST 2020
Idee, Konzeption, Arrangement, Moderation/Text: Pachet Fulmen
Konzeption, Arrangement, Assistenz: Trikorder
Zitate, Auszüge&Inspiration u.a.:
Pachet Fulmen: Die Pachet Fulmen Show Home Office, Exxxtasy Vanitas-Veritas, Michel Foucault, Susan Sontag, Viv Albertine, Sacher-Masoch Venus im Pelz, Gilles Deleuze, Georges Bataille, Guy Debord, Drucilla Cornell, Schöttler/Kutter: Sexualität und Aggression, Barbara Thiessen, Josef Früchtl / Jörg Zimmermann: Ästhetik der Inszenierung, Walter Schurian: Phantastische Kunst, Beck-Texte Strafgesetzbuch (57. Auflage 2019)
Copyright: Pachet Fulmen und Trikorder
Foto: Pachet Fulmen fotografiert von Trikorder
Erscheinungsdatum: 19 April 2020
Nicht jugendfrei
Post Anthropocentric Pleasure (How to Live the New World). After taking care of our immediate necessities, this chapter opens us to larger aspects that affect our society, such as farming, energy and education, that, while not explicitly political, create the foundations for new forms of collective society. In 'News from Nowhere' by William Morris, which describes the utopia after the revolution, farming is a collective joy, education is left to curiosity and energy is solved, although we don't quite know how. Today the times are different but the subjects are ever more pressing.
14.3.2021
Making sense of what we are and where we are going!
ANAL.FABETS live streaming
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#analfabets
16.3.2021
Klangliche Klärungsversuche zu den Konflikten in der Hassliebe Mensch-Maschine. Technokratie im Kraftfeld der Musik.
Aufgenommen am 29.05.19
Kraftwerk Bille, Hamburg-Hammerbrook
Credits:
https://soundcloud.com/officialbreakdance
https://www.instagram.com/snakedance44
18.3.2021
18.03.2021
Reflecting on Repetition
18.3.2021
The third episode of Sceneries not Songs is "Eternal City" from O.J.A.I. (Office for Joint Administrative Intelligence).
Office for Joint Administrative Intelligence is the collaborative practice of artists Chris Dreier (DE) and Gary Farrelly (IRE/BE). The work is fueled by a recurring obsession with architecture, infrastructure, finance, conspiracy theory and institutional power. O.J.A.I. pursues a strategy of self-institutionalisation where tools and codified rules of engagement are appropriated from economic and political infrastructures. Their monthly radio show is transmitted on Dublin Digital Radio and Cashmere Radio, Berlin. O.J.A.I. has presented work at AAIR Antwerpen, Damien and the Love Guru, Laura Mars Gallery, Grölle Pass Projects, Gold and Beton and Marres House for Contemporary Culture (Maastricht).
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard. "Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
18.3.2021
Following the Assembly#1, here comes the second#2 brainstaking artist talk contemplating on the QUEER MUD. Planet Orsimanirana connected with the artists Insa Wagner, OBOT (Zoe Romano+Maddalena Fragnito) and Reinier Kranendonk. On a cosmic route we contemplated on different takes on queerness in the arts, exchanged on questions of queering material and discussed activist positions + positionalities.
Live Talk Show guests: Insa Wagner, OBOT (Zoe Romano+Maddalena Fragnito), Reinier Kranendonk
Show hosts & concept: Lara Bogan, Nora Kühnhold
Technics: Itzik Gil Avizohar
additional guest: Emanuele Braga (curator of the exhibition)
19.3.2021
Improvised piano music broadcasted weekly from a chamber in Hammerbrook high above the Mittelkanal, played by Janosch Henle
19.3.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
From Den Haag: Amos Peled & Andrejs Poikāns
2021-03-19
Avant presents Dida
Brussels- based producer and Slagwerk member, Dida plays this time the role of orchestra conductor by releasing a timeless piece of sonorous art, composed by mostly original music, half of it also written for the occasion.
Avant is a radio format conceived within the walls of the University of Milan. Investigating the most extreme as well as experimental fields in electronic music since 2019, Avant has built a reputation and gained credibility in the underground music scene. Even if due to the pandemic its presence has been relegated mostly to the online, Avant is far from being just an internet entity and is ready to launch its event series soon than ever.
19-03-2021
INTERZONE live streaming
w/ Dj Iryna and Clarisse
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
20.3.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is LA morning with Hamburg based broadcaster VENA, don't try to find any reason just wake up.
20.3.2021
Beitrag #2
LOVE IS STRONGER THAN THUNDER?
Von Lovesongs, Apokalypse, Angst und Begehren
Eine Sexed-Gender-Studies-Sendereihe
Kunst-Interviews und fatale Femme-Sounds von und mit Pachet Fulmen
Zuhörer*Innentelefon: +49 (0)40-20912367
pachetfulmen.com
20.3.2021
live recording + mixtape
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
The Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
The first part is a live set from I Hear U - Gaël Segalen, recorded by URSSS - Mistake television, during Saturnalia 2019
The second part is a mixtape from Effield, musician and producer who has taken part in Saturnalia Collective and Occult Punk Gang
with
Gaël Segalen (by URSSS) + Effield (Macao, Milano)
Intro track: Andrew Liles - Aural Anagram
21.3.2021
21-03-2021
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
22.3.2021
22.3.2021
In this audiopiece Kitty Maria describes an encounter she has with a windtunnel. The windtunnel is a stationary tool for calibration on the workshop floor in a company that produces wind sensors. It is a relational type of machine, in constant calibration dialogue with a meta set- up which calibrates a meta instrument which then calibrates a local set-up which then calibrates the protagonist wind sensor.
In this video she meets the object and tries to establish a fringe relationship outside its general function, employing the problem of the ‘access mode’ as an investigation apparatus in finding ways for a person to meet a machine with no specific desire to operate it. Bypassing the machine-operator relationship to perform a highly tactile and phonetic examination of the prerequisites of the object. By touching it, holding it and imitating it, she generates alternative information about the machine, other than its general usage or output power. The work expands on ways to encounter a large industrial body outside its functionality.
23.3.2021
23.03.21
Es waren einmal, in einem Land vor unserer Zeit, zwei Geschwister. Die haben sich umgeschaut und haben den einen Fuss vor den Anderen gesetzt. Und die wurden geweckt. Und die haben sich wieder niedergelegt. Und den Kopf haben die gehoben und mit den Händen haben die sich durch die Dunkelheit vorwärts getastet und durch die Bäume sich suchend, kamen sie an ein Häuschen aus Pfefferkuchen fein.
Aufgenommen am 26.05.19
Kraftwerk Bille, Hamburg-Hammerbrook
Credits:
https://www.instagram.com/almagordaniel/
instagram.com/maxgausepohl
https://www.instagram.com/ada_grueter/
23.03.2021
dj-set
mit pengi und paulina
Ein Experiment
24.3.2021
24.03.2021
DADDIES ON ACID live streaming
live from Pescheria, Rome
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.orgMuschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
25.3.2021
25.3.2021
Second installment of our sleep exploration series for Life on Planet Orsimanirana.
Music recorded by Babau, Kuthi Jin, Señor Service & Reptilian Expo – March 2021, Milano.
______________________________________________________________________________
As in a lucid dream, we will take advantage of the exceptionality of our state and the malleability of a subconscious environment to reach otherwise inaccessible areas of the psyche. It’s not just relaxation of a tension but becoming receptive to the invisible worlds.
We reclaim the possibility to imagine through the senses and bend the syntax of algorithmic thought to the chaotic flow of spontaneous events. Strange crystals blossom in silence, biochemical polyrhythms of the unseen worlds, spiraling networks of liquid sound.
26.3.2021
26.3.2021
not public / mary's home
a workshop with Mary Maggic, artist in residency on Life on the Planet Orismanirana.
Workshop description:
How do bodies queer at the molecular level? How is this queering inextricably tied to industrial capitalism? And is there a way out of capitalist ruins, one that has been further exacerbated by the pandemic? Combining body and gender politics and environmental toxicity, this workshop centers on the concept of “open source estrogen,” the underlying premise that hormonal molecules are ubiquitously all around us, and available for us to hack, mutate, and become-with. Through this process of socio-political excavation, we can begin to "emancipate the hormone molecule,” unboxing its molecular mystique. The 2-hour workshop will begin with a talk on hormonal histories and fictions and finish with a hands-on urine hormone extraction protocol. The materials list can be found here for those who wish to follow along<3 http://wlu18www30.webland.ch/wiki/Open_Source_Estrogen#Urine_Hormone_Extraction_Action
Mary Maggic is a non-binary artist working within the fuzzy intersections of transfeminist hacking, body/gender politics, and eco-alienations. Maggic's most recent projects Open Source Estrogen generate DIY protocols for the extraction and detection of hormones from bodies and environments, demonstrating their micro-performativity and potential for increased body autonomy. They hold a MS in Media Arts and Sciences from MIT Media Lab, and have exhibited internationally including Philadelphia Museum of Art (US), Science Gallery London (UK), Haus der Kulturen der Welt (DE), Jeu de Paume (FR), and Institute of Contemporary Arts London (UK). Maggic is a recipient of the Prix Ars Electronica Honorary Mention in Hybrid Arts (2017) and a 10-month Fulbright research award in Yogyakarta, Indonesia (2019).
27.03.2021
INTERZONE live streaming
w/ A DIJ and JOHANN SEBASTIAN BAREBACH
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
27.3.2021
27.03.2021
Achtung: ‘''Live On Air’''
° Schalt ein, halt aus
Den Livestream per iPhone zu verfolgen kann Schwierigkeiten bereiten, ebenso dem Livestream per Safari Browser zu folgen ist aus technischen Gründen leider meistens nicht möglich. Empfohlen sind: Chrome Browser am Computer und Andriod Betriebssystem am Handy.
Beitrag #3
DIE MACHT DER FRAUEN DER KUNST
Feminismus, Furie und Freiheit
Eine Sexed-Gender-Studies-Sendereihe
Kunst-Interviews und fatale Femme-Sounds von und mit Pachet Fulmen
ZuhörerInnentelefon (bitte nur für Leute, deren Vorname mit „E“ beginnt):
+49 (0)40-20912367
+49 (0)176-56917050
Diese Radio-Sendereihe ist Teil meines multimedialen Werkes, unterstützt durch den von der Dorit und Alexander Otto Stiftung und der Hamburgischen Kulturstiftung initiierten Hilfsfonds »Kultur hält zusammen«.
https://www.kulturstiftung-hh.de
+++xxx+++
Pachet Fulmen
pachetfulmen.com
28.3.2021
28.03.21
A monthly dose of thoughtfully selected sounds and meditations.
We open each show with a concept, intention, and/or meditation to guide the listener as we move into a curated playlist/soundscapes.
inviting you into new internal spaces and your the day.
ANAL.FABETS live streaming
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
31.3.2021
31.3.21
L'intérieur sauvage - im Irgendwo zwischen Wildheit und Introversion, wo die Höhen zu Tiefen, zu hallenden Fallen werden, denen nur besonders gewiefte Biester entkommen können.
Credits:
https://soundcloud.com/elazer
31/3/2021
DADDIES ON ACID live streaming
w/ +ORM+
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
2.4.2021
02.04.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
This time from Antwerp with Allon Kaye- the administrator of Entr’acte,
host of Universal Exports, boyfriend of Céline, master of Lutyens Brontis.
INTERZONE live streaming
w/ Tempus Fugit
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
3.4.2021
03.04.21
TO BE HONEST, NO
by Mariana Jurado-Rico
We will talk about something that we know, but we fully don't understand.
This year has been long and full of different NOs. We are still trying to understand how we manage, change and circulate these different iterations of NO. This might not be a blatant yes, but maybe something else. Something that will help us escape monotony.
There is nothing more common than a NO, the ones who said yes are our contributors with them we will be talking about this NO and also hearing what is the musical translation of this word.
The contributors to this broadcast are:
George Mazari
Liane Rosenthal
Catterina Raffo
Maria Luisa Martinez
Eva Mahhov x Dasha Leo
Bert Mclean
Daniela Silva
Sergio Roman
Sigrun Sveinsdottir
Lina Bravo
Francisca Khamis and Antonio Duarte
Ben Tupper
Sabrina Schlosser
Noise.Diva
Goy Tung
Valeria Giraldo
Sad Belongings Press
The Leftist Bar
We will continue hearing NOs let's just get used to it.
4.4.2021
ANAL.FABETS live streaming
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#analfabets
7.4.2021
07.04.21
Love Song. Die deutsche Nationalhymne polarisiert und ist vor dem Hintergrund deutscher NS-Geschichte nur schwer mit dem Blick einer Liebenden zu betrachten. Nichts desto trotz, oder, vielleicht genau deswegen müssen wir uns ihr annehmen, denn sie bildet aus musikalischer Perspektive einen blinden Fleck innerhalb deutscher Erinnerungskultur. Wollen wir die Hymne in ihrer Ambivalenz verstehen, müssen wir uns ihr im Sinne eines auditiven Traumas widmen und ihr zuhören, sie neu hören (ver-)lernen, um ihren ambivalenten, gar schizophrenen Status anerkennen zu können. Denn auch sie befindet sich, wie der Mensch in einer globalisierten Welt im Transit, zwischen Anerkennung und Ablehnung. Daniel Dominguez Teruel verfremdet und verzerrt die deutsche Hymne radikal.Die Hymne als ein sich transformierendes Denkmal – was hat die Hymne mit uns heute zu tun?
From Democracy to Moleculocracy (How to Organise the New World). In this section we get explicitly political and replace 'Demos', of the people, with 'Moleculos', of the molecules, still an enigma, but it is something we share with all beings and things, and it suggests to understand the 'I', and therefore the 'We', on other terms. This section includes a coming series of lectures, talks and discussions where Macao, The Institute of Radical Imagination, Marcell Mars, Jerszy Seymour and Rimaflow will discuss new economies, property rights, basic universal income and the foundation of a utopian industry. Kawabunga!
8.4.2021
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard. For the second episode, we have the pleasure to host Amphibia.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
9.4.2021
9.4.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is Tel Aviv morning with field recordings of waking up Allenby street.
9.4.2021
Carsten Rabe and Dr. Michael Pröpper in a presentation of their research project
Dr. Michael Pröpper and Carsten Rabe suspect that visual arts,
understood as a research practice whose specialty is the understanding
and revelation of complexity, can help. Artists work on multiple
questions that often touch complex sustainability issues. However, so far comparative empirical insights into how artistic complexity knowledge can help society solve upcoming sustainability problems have been hardly available.
Thus, central questions about the artistic contribution to sustainability remain unanswered and misunderstood. Such artistic contributions to society and their potential importance for social sustainability discourses are therefore potentially underestimated, underfinanced, and undervalued.
Dr. Michael Pröpper is a cultural anthropologist and visual artist, he
is a permanent senior lecturer at the Institute
for Social and Cultural Anthropology at the University of Hamburg.
Carsten Rabe is a fine-arts photographer and curator. He has been
working since with several Artist-Run-Spaces in Hamburg.
Since 2010 he has curated various conceptual group exhibitions in
Germany, Denmark and France.
If you are an artist yourself and thematize sustainability questions in your work, or if you know someone who does, feel free to fill out or share our online-questionnaire to get in contact and build up a network together. Looking forward to hear from you!
https://www.limesurvey.uni-hamburg.de/index.php/survey/index/sid/864743/newtest/Y/lang/en
10.4.2021
10.4.2020
23:00 - 01:40
Category: Spirituality and Hegemony
Length: 160 min
10.4.2021
studio recordings + mixtape
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
The Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
Scardanelli brings together imaginaries and inputs from different worlds, playing some long sessions of sound and visual navigation that develops vertically, by overlapping, in open controversy with linear developments. A strenuous insistence on organic propagation.
https://www.instagram.com/scardanelli.cloud/
https://www.instagram.com/yyyyyyyyyyyyyyyyyyyyyou/
Spoken: Martina Cristini/Sarah Kane
Sabina Covarrubias (1977-) is a composer, multimedia artist, and a researcher in the field of computer music. Her works encompass a wide array of genres, such as visual music, electroacoustic music, "musique mixte" , experimental electronic music, symphonic, which have been shown in highly renowned concert halls and festivals.
https://www.sabinacovarrubias.com/
Realia is an independent publishing platform working at the intersection of experimental music and visual research. Following an inaugural VA compilation and three full-artist releases, for this year the label is set to deliver new music alongside various printed publications.
https://realia.bandcamp.com/
with
Scardanelli/yyou (Macao, Milan) + Sabina Covarrubias (Elli Records, Paris) + Realia (Milan)
14.4.2021
14.04.2021
Sadan Records is a Tel-Aviv based label, which aims to support local artists who focus on contemporary music production and visuals making. The label was founded in 2020 by a group of producers, CG Artists, and graphic designers. Sadan’s catalog is not bound to a specific style or aesthetic, the label encourages a leftfield approach to any sort of music
w/ HOMECOMPIUTER + TFRIED
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
15.4.2021
The 5th episode of Sceneries not Songs is "Music&Sounds From The Venice Lagoon" from Gigi Masin.
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
16.4.2021
16.04.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
This time from Bat-Yam with Maxim Turbo feat. New Kidz Turbo- a miracle or a disaster from a father and his accidentally two sons. oopsidaisy
Stars collapse and planets align for our interplanetary jam#3.
INTERZONE live streaming
w/ Lola Matteucci + Hanno Hinkelbein
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
17.4.2021
17.4.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is with Asaf Hengel, an electronic music producer from Tel Aviv, broadcasting a DJ set for the late bloomers with music to start the day / continue the night with.
Image Credit: Gaya Kesten
17.04.21
OHNE is both a 60-pages publication edited by NOT399093 and Lapo Sorride (published by Asile185, art space in 1055 Turin) and an electro-acoustic split-album on cassette composed by the same artists, printed by Riforma (the screw-wave catalogue of New Weird Italia). All in a very limited edition.
Riforma is spreading mixes through independent web radios in order to introduce the concept and the sound entities behind the release. This mix is edited by Altrimenti for Radio ORSIMANIRANA.
OHNE will be released on 19th April, aviable from now in preorder on bandcamp.
18.4.2021
🔔 Avant presents: 🔔 #monthlyhomework - March 2021 📚🙇♂️
Our monthly very random but passionate selection of releases
You will never enjoy homework so much!!
We have gathered part of our march selction into a megamix.
All the tracks have been collected thanks to the collaboration and the courtesy of all the artists involved.
Avant is a radio format conceived within the walls of the University of Milan. Investigating the most extreme as well as experimental fields in electronic music since 2019, Avant has built a reputation and gained credibility in the underground music scene. Even if due to the pandemic its presence has been relegated mostly to the online, Avant is far from being just an internet entity and is ready to launch its event series soon than ever.
18.04.2021
ANAL.FABETS live from Technodrama
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#analfabets
21.4.2021
21.4.2021
Stars collapse and planets align for our interplanetary jam#4.
21 APRIL 2021
h20.00-23:30
Title: MUSIC FOR DARKROOM
Broadcaster: Daddies on acid
daniele.pentassuglio@gmail.com
DADDIES ON ACID live streaming
w/ Suzanne
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
22.4.2021
22.4.2021
Our weekly journey through nothingness. With destinations far away, and journeys right outside our doorsteps. Become one with the Nothing.
23.4.2021
23.4.2021
GRLDCK are a queercore band from Hamburg. Filled with trans and non-binary rage and a message of solidarity they'll soon be seen on the stages of squats near you.
Show host: Nora Kühnhold
Recording: Chinook Schneider
INTERZONE live streaming
w/ A/ONA
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
24.4.2021
24.4.2021
Den Livestream per iPhone zu verfolgen, kann Schwierigkeiten bereiten, ebenso dem Livestream per Safari Browser zu folgen ist aus technischen Gründen leider meistens nicht möglich. Empfohlen sind: Chrome Browser am Computer und Android Betriebssystem am Handy.
Achtung: ‘''Live On Air’''
° Schalt ein, halt aus
Beitrag #4
ON FIRE
Pleasure Is Pure Business
Eine Sexed-Gender-Studies-Sendereihe
Kunst-Interviews und fatale Femme-Sounds von und mit Pachet Fulmen
ZuhörerInnentelefon
+49 (0)40-20912367
Diese Radio-Sendereihe ist Teil meines multimedialen Werkes, unterstützt durch den von der Dorit und Alexander Otto Stiftung und der Hamburgischen Kulturstiftung initiierten Hilfsfonds »Kultur hält zusammen«.
https://www.kulturstiftung-hh.de
25.4.2021
ANAL.FABETS live streaming
EVERY SUNDAY from 18h until 22h
Live visuals: https://live.autistici.org/#analfabets
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
28.4.2021
28.04.2021
Stars collapse and planets align for our interplanetary jam#5.
28.04.2021
In einer Zeit von Monokulturen und Dumping-Preisen kommen konventionelle Landwirt*innen nicht mehr drumherum, den Boden, ihre Mitarbeiter und meist noch sich selbst auszubeuten.
Nicht so für Landwirt*innen einer Solidarischen Landwirtschaft, kurz SOLAWI. Dies ist ein Netzwerk aus Erzeuger*innen und Konsument*innen, die sich mit nachhaltiger ökologischer Gemüseproduktion auseinandersetzen und sich die Arbeit und Kosten, die es braucht, aufteilen. Wie das funktioniert und wie wichtig dabei die Gemeinschaft ist, erzählen uns Nelly, Chrischan und Felix.
Ein Gespräch mit der SOLAWI Ginsterbusch bei Lüneburg.
Umgeben von Vogelgezwitscher, Wind und regelmäßigen Katzenbesuchen.
28 APRIL 2021
h20.00-00.00
Title: MUSIC FOR DARKROOM
Broadcaster: Daddies on acid
Email: daniele.pentassuglio@gmail.com
Description:
DADDIES ON ACID live streaming
live from Pescheria, Rome
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
29.4.2021
The 6th guest of Sceneries not Songs is Jan Jelinek.
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
29.04.2021
Our weekly journey through nothingness. With destinations far away, and journeys right outside our doorsteps. Become one with the Nothing.
25.4.2021
Third installment of our sleep exploration series for Life on Planet Orsimanirana
Music by Nuova Atlantide, Katatonic Silentio, Avsluta - April 2021, Milan / London.
_______________________________________________________________________________
As in a lucid dream, we will take advantage of the exceptionality of our state and the malleability of a subconscious environment to reach otherwise inaccessible areas of the psyche. It’s not just relaxation of a tension but becoming receptive to the invisible worlds.
We reclaim the possibility to imagine through the senses and bend the syntax of algorithmic thought to the chaotic flow of spontaneous events. Strange crystals blossom in silence, biochemical polyrhythms of the unseen worlds, spiraling networks of liquid sound.
Rivers of Infinite Funk (How to Enjoy the New World). Ok, the one thing we are sure about the world we want to live in, is that we want to enjoy it. Rivers of Infinite Funk gathers the musical potential of all of its partners, Gängeviertel, Hallo: Festspiele, Park Fiction, HFBK, Macao, The Dirty Art Department, Daddies on Acid, Parasite 2.0 and many more, in order to create, as Emanuele Braga from Macao eloquently put it, 'A Symphony for the Planet to Come!'. Damn I can dig that. Lets kick it!
30.4.2021
INTERZONE live streaming
w/ DJ PACO
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
1.5.2021
SATURNALIA RADIO SHOW! #5
Saturnalia Collective
Milan
1.5.2020
23:00 - 00:50
Category: Spirituality and Hegemony
Length: 110 min
20.4.2021
mixtape
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
The Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
with
//a Vasopressin Gnostic Odyssey
2.5.2021
1.5.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is with Avizohar, playing for the land of the rising sun's morning.
ANAL.FABETS live streaming
w/ Pippa
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
4.5.2021
04.05.2021
Sometimes a substance in the bright phosphorus takes fire and falls.
5.5.2021
05.05.2021
Stars collapse and planets align for our interplanetary jam#6.
05.05.2021
3h (dalle 20h alle 23h)
Title: MUSIC FOR DARKROOM
Broadcaster: Daddies on acid
Email: daniele.pentassuglio@gmail.com
Description:
DADDIES ON ACID live streaming
w/ Marlon Random
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
7.5.2021
07.05.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
This time from Jerusalem with rare selection from Alex Drool- one of the most influential and enigmatic artists in the experimental music community in Israel as he uses sound as a primitive, fragile, very personal medium.
07.05.2021
INTERZONE live streaming
w/ Anna Bolena
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
8.5.2021
8.5.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is with Asaf Yahel, playing a versatile selection of improve, electronics and urban ambiences for another slow, weekend morning.
08.05.2021
Signale erklingen im X Kanal.
Der Kanal, der sich selbst durchkreuzt.
Der Kanal, dessen Kreuzungen zum Treffpunkt werden.
Die zweite Edition der HALLO: Radiospiele findet dort statt, wo sich Sendende und Empfangende begegnen und gemeinsam ihre Umgebung gestalten. Gänge werden gegraben und durchgespült. Arterien werden offiziell zum Schwimmen freigegeben. Systeme beulen sich aus und verengen sich wieder – je nach Brainstorm.
Re-Stream des Hallo: Radioprogramms vom 26.-28.02.2021.
No directions – just navigation! Unsichtbare Freund*innen hört jeder Radiokörper.
9.5.2021
09.05.2021
Signale erklingen im X Kanal.
Der Kanal, der sich selbst durchkreuzt.
Der Kanal, dessen Kreuzungen zum Treffpunkt werden.
Die zweite Edition der HALLO: Radiospiele findet dort statt, wo sich Sendende und Empfangende begegnen und gemeinsam ihre Umgebung gestalten. Gänge werden gegraben und durchgespült. Arterien werden offiziell zum Schwimmen freigegeben. Systeme beulen sich aus und verengen sich wieder – je nach Brainstorm.
Re-Stream des Hallo: Radioprogramms vom 26.-28.02.2021.
No directions – just navigation! Unsichtbare Freund*innen hört jeder Radiokörper.
09.05.2021
HOMO.THEATRE. Musivisuals by ANAL.FABETS
Improvised incidental photoplay music for:
Eichii Tamamoto's Belladonna of Sadness (1973)
A NOT ORIGINAL SOUNDTRACK
We are the antibodies.
We are the analphabets.
There is a song older than wor(l)ds here.
We’re entering the pre-verbal era.
Words are lies.
And there, our voice.
We were always healers.
This is the first medicine.
The tradition of the oppressed teaches us that the “state of emergency” in which we live is not the exception but the rule.
We must attain to a conception of history that is in keeping with this insight.
Then we shall clearly realise that it is our task to bring about a real state of emergency.
Colonialism is a plague, capitalism is pandemic.
These systems are anti-life, they will not be compelled to cure themselves.
We will not allow these corrupted sickened systems to recuperate.
We will spread.
We are the antibodies.
Our actions were our propaganda.
We demanded nothing from oppressors and their power.
They are unsuited for life.
They are non-believers.
They are unworthy.
They hate our freedom.
They are against us, until finally, they are no more.
Our worlds lives when their world ceases to exist.
Our ways of being are informed through finding harmony through and from the destruction of worlds, systems, alphabets.
That’s the ABC.
Birth.
Death.
Rebirth.
It is the language of the cosmos.
It is the ghostdance.
We bury the right wing and the left wing together in the earth they are so hungry to consume.
We are the consequences of their oppression against the earth.
The end is near.
Or has it come and gone before?
We have no idea when the world might end, but every action we take is a possibility.
Who knows what spark?
It could be yours or ours.
All we have to do is try.
Today is yesterday’s tomorrow, which is now.
We want to not be civilised any longer.
We want to reject capitalism and nation-states, crazy hierarchies and delusional economies.
Marx and Lenin have never fucked the ways we have.
For art to live, civilisation must die.
Take what you need and compost the rest.
Eat what you can’t fuck.
Squat wedding parties for free food.
Examine your surroundings.
See what resources are available for your use, and plan accordingly.
Actively recycle and reuse everything.
Eschew money.
If a problem can be solved without money, don’t use it.
Find your people.
Work with them.
Network with other groups.
Specialize in one or two skills that you can offer.
Generalize in a ton of skills.
The first thing to know about surviving the apocalypse is this:
you’re not going to survive the apocalypse.
You’re not special.
Save the planet, kill yourself.
Or stop reproducing within the framework of a patriarchal culture.
Dance with us.
Anal.fabets: https://archive.org/details/@analfabets
https://analfabets.bandcamp.com
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
11.5.2021
11.05.21
talking arts, film & feminism
hosted by Lara Bogan
with Melina Voulgaridou & Natali Bhalchandra Abhyankar
guest comments by Emanuele Braga, Dr. Glitter and Zainab
life-sound: Philomena Lauprecht
Settling a new planet - merely an escapist fantasy, or a likely scenario?
Natali Bhalchandra Abhyankar, Melina Voulgaridou and Lara Bogan meet to cheerfully discuss an
artwork situated in the exhibition: OUT OF PUMPKIN (2021) by Franco Bifo Berardi. After that we dive into the science fiction film ANIARA (Pella Kågerman/ Hugo Lilja 2018) and approach the colonial impact of settling outer space.
12.5.2021
12.5.2021
Following the second Assembly, here comes the third talk contemplating on the exhibition's section "Anthropocentric Pleasure" - How to live the new world, going deeper on the topic of "Alternative Farming". Planet Orsimanirana connected with the journalist Cíntia Marcucci, the activist Giulio Iocco and the farmer Coco Valdivia De Souza Ferreyra. On a cosmic route we contemplated on different takes on possible futures of agriculture, exchanged experiences, tackled questions and contradictions of alternative farming and discussed activist positions.
"Food as a vehicle for social relations" Giulio Iocco
Show Hosts
Nora Kühnhold and Chinook Schneider
Live Guests
Cíntia Marcucci, journalist, FUA - Fundo Agroecológicio, São Paulo - SP, Brazil.
Coco Valdivia De Souza Ferreyra, farmer at CSA "Solawi Güstritz", Wendland, Germany.
Giulio Iocco, activist, workers' economy network and trade union association Fuorimercato, Naples - Campania, Italy.
Additional guest
Emanuele Braga, co-curator of Life on Planet Orsimanirana and activist at Macao, Milano, Italy.
Post processing audio
Itzik Gil Avizohar
12.5.2021
Experimental Sound, Chit Chat + Tea & Biscuits
Two performers are being installed in a museum with their mid-fi equipment and have themselves a pleasant evening. They are accompanied by the objects surrounding them, unsure of what this entanglement of situations will produce.
12.5.21
Sadan Records is a Tel-Aviv based label, which aims to support local artists who focus on contemporary music production and visuals making. The label was founded in 2020 by a group of producers, CG Artists, and graphic designers. Sadan’s catalog is not bound to a specific style or aesthetic, the label encourages a leftfield approach to any sort of music.
12.05.2021
"Nodes of ∏node" is a show specially made by the ∏node collective for the Planet Orsimanirana voyager sonic UFO. It is a non exhaustive tour of the initiatives, works, projects and sounds around the ∏node community. From radical sonic activism to deviant and alternative computing infrastructures, the show broadcasts sonic excerpts of performances and compositions made from and within recent social movements (10/05), interviews with the shadow forces behind self-organized sound art festivals and temporary autonomous (artistic) zones that take advantage of specific infra-urban or rural situations (17/05), self-managed ISP, feminist and anarchist servers and deviant internet hosting mixed with the sound produced by these infrastructures (24/05), the pre-platforms streaming actions and performances, as well as some initiatives that use internet as a dedicated sonic material, media and instrument (31/05). Four mondays in May, live from 7pm to 9pm.
13.5.2021
13.05.2021
Dialog auf Löw:innenfüßen
Dr. Tania Mancheno ist zu Besuch auf dem Planeten Orsimanirana. Wir dialogisieren über die Kolonialität des Stadtraumes, Planeten, die Pandemie, Universen und Universitäten. Zeit für Kritik! Im Anschluss werden zwei Audio-Spaziergänge von Tania Mancheno und Katharina Pelosi gespielt.
Infos zu den Audio-Spaziergängen:
https://markk-hamburg.de/veranstaltungen/der-riss-zwischen-den-loewenfuessen-3/
Dr. Tania Mancheno ist freie Wissenschaftlerin und Dozentin für Soziale Arbeit und Geographie an der Universität Hamburg. Außerdem ist sie assoziiertes Mitglied der Forschungsstelle Hamburgs (post-)koloniales Erbe / Hamburg und die frühe Globalisierung. Ihre Arbeitsschwerpunkte sind dekoloniale und afrozentrisch-feministische Theorien, das Phänomen der postkolonialen urbanen Gewalt und der europäische Umgang mit Kolonialismus.
Zuletzt veröffentlichte sie Behind the Walls of Paris: the Inhabited History of the Space in the Parisian Banlieues (Erschienen in dem Sammelband Doing Tolerance: Urban Interventions and Forms of Participation).
Audio-Spur zum Chilehaus:
https://kolonialismus.blogs.uni-hamburg.de/2020/12/04/15-repraesentationen-eine-audio-spur-zur-kolonialgeschichte-des-chilehaus/
The 7th guest of Sceneries not Songs is Verynice'N'Sleazy.
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
13.05.2021
Our weekly journey through nothingness. With destinations far away, and journeys right outside our doorsteps. Become one with the Nothing.
14.5.2021
Hallo Hamburg, wir müssen reden. Denn auch an den Hamburger Osten schleicht sich an, was vielerorts schon lange Thema ist: Mit steigenden Boden- und Mietpreisen, dem Einzug internationaler Investor*innen und der Realisierung des Masterplans ›Stromaufwärts an Elbe und Bille‹ bahnen sich reale Konflikte und Bedrohungsszenarien für die oft über Jahrzehnte andauernden kulturellen, sozialen und gewerblichen Zwischennutzungen an, die bisher ebenso den Stadtteil prägten, wie der Autohandel und die unzähligen Büroflächen.
Für alle stellt sich die Frage nach der Zukunft: Wer darf bleiben, wer muss gehen, wer hat das Geld – und wer hat es nicht?
Daher reden wir: Unter dem Titel ›Captial H – Von Boden, Eigentum und Orten des Gemeinschaffens‹ sprechen wir an drei Tagen zu je einem der Themenkomplexe, die bereits seit Langem Gegenstand vieler Initiativen und Einzelpersonen in diesem Raum sind. Sie verhandeln kritische Perspektiven, vernetzen sich und entwickeln kooperative Projekte. Sie wollen eine Stadtentwicklung mit anderen Vorzeichen: gemeinschaftlich, nicht-kommerziell und inklusiv.
Am Wochenende des 14.-16.05. bringen wir mit der dritten Edition der HALLO: Radiospiele verschiedene Akteur*innen zu diesen Themen ins Gespräch und in eure Endgeräte. Wir veröffentlichen diese Auseinandersetzungen, Gedanken und Ideen, schaffen Verknüpfungen (hoffentlich auch mit Euch!) und möchten die Diskussion über die Zukunft unserer Städte weiter anfachen.
Seid gespannt auf Musik, Interviews, Konzerte, Zaungespräche, Lesungen und Vieles mehr – unter anderem mit Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, Trashboo und Vielen mehr.
—————— english version:
Hello Hamburg, we need to talk. Because what has long been a topic of discussion in many places is also creeping up on Hamburg's East: With rising land and rent prices, the arrival of international investors and the realization of the masterplan ›Stromaufwärts an Elbe und Bille‹ (Upstream on the Elbe and Bille), conflicts and threat scenarios becoming real for the cultural, social and commercial uses. Uses that have often lasted for decades and that have so far characterized the district just as much as the car trade and the countless office spaces.
For all of them the question arises: who may stay, who must go, who has the money – and who doesn't?
That's why wer'e talking: Under the title ›Capital H – Of Land, Property and Places of the Commons‹, we will speak over three days, each on one of the topics that have long been the subject of many initiatives and cooperative projects. They want urban development with a different sign: collaborative, non-commercial and inclusive.
On the weekend of 14-16 May, we will bring different actors to theses topics into conversation and into your mobile devices. We will publish all these thoughts and ideas, create links (hopefully with you too!) and want to discuss the future of our cities.
There will be music, interviews, concerts, fence talks, readings and much more – among others with Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, and many more.
—————
More Information: https://hallohallohallo.org/de
@halllohalllohalllo @hallo.radio
15.5.2021
15.5.2021
With a lot of love for the eclectic history of obscure electronic and electro-acoustic music from around the globe Thomas Beckmann und Philomena Lauprecht enjoy to jump between the decades and to mix genres such as cosmic disco, synth pop, new wave and many others. As an extraordinary complementary duo they evolve a free associative ping pong between different themes and musical landscapes, choosing each song carefully. A color or a word is enough to jump from one theme to another. With their very different and personal references to music history Thomas (Tobec) and Philomena (DJ Philomenon) create a surprising mix of cosmic connections for an ethereal listening experience.
Thomas Beckman works as an audiovisual artist with so.und.scapes and as a dj and musician in Hamburg. He’s part of the musical projects Tobec_Lumen and Meta Morelli & Tobec. As a host he runs the monthly radio show metroheadmusic for metroheadpeople (FSK 93,0 or Stream) - Every 4th Thursday on FSK 93,0 22:00-00:00 MEZ
Philomena Lauprecht is a Hamburg based artist and dj who interacts within the fields of music and fine arts. Her narrative of sound, words and movement combines a love of play, spontaneity and an enthusiasm for the obscure. For her artistic research, she uses motifs from mythology and religion to reflect its impact on ritual practices of everyday life and the question of a collective consciousness. As a singer and guitarist she also plays in the Hamburg based garage-noise/pop band Die Maßnahme.
Hallo Hamburg, wir müssen reden. Denn auch an den Hamburger Osten schleicht sich an, was vielerorts schon lange Thema ist: Mit steigenden Boden- und Mietpreisen, dem Einzug internationaler Investor*innen und der Realisierung des Masterplans ›Stromaufwärts an Elbe und Bille‹ bahnen sich reale Konflikte und Bedrohungsszenarien für die oft über Jahrzehnte andauernden kulturellen, sozialen und gewerblichen Zwischennutzungen an, die bisher ebenso den Stadtteil prägten, wie der Autohandel und die unzähligen Büroflächen.
Für alle stellt sich die Frage nach der Zukunft: Wer darf bleiben, wer muss gehen, wer hat das Geld – und wer hat es nicht?
Daher reden wir: Unter dem Titel ›Captial H – Von Boden, Eigentum und Orten des Gemeinschaffens‹ sprechen wir an drei Tagen zu je einem der Themenkomplexe, die bereits seit Langem Gegenstand vieler Initiativen und Einzelpersonen in diesem Raum sind. Sie verhandeln kritische Perspektiven, vernetzen sich und entwickeln kooperative Projekte. Sie wollen eine Stadtentwicklung mit anderen Vorzeichen: gemeinschaftlich, nicht-kommerziell und inklusiv.
Am Wochenende des 14.-16.05. bringen wir mit der dritten Edition der HALLO: Radiospiele verschiedene Akteur*innen zu diesen Themen ins Gespräch und in eure Endgeräte. Wir veröffentlichen diese Auseinandersetzungen, Gedanken und Ideen, schaffen Verknüpfungen (hoffentlich auch mit Euch!) und möchten die Diskussion über die Zukunft unserer Städte weiter anfachen.
Seid gespannt auf Musik, Interviews, Konzerte, Zaungespräche, Lesungen und Vieles mehr – unter anderem mit Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, Trashboo und Vielen mehr.
—————— english version:
Hello Hamburg, we need to talk. Because what has long been a topic of discussion in many places is also creeping up on Hamburg's East: With rising land and rent prices, the arrival of international investors and the realization of the masterplan ›Stromaufwärts an Elbe und Bille‹ (Upstream on the Elbe and Bille), conflicts and threat scenarios becoming real for the cultural, social and commercial uses. Uses that have often lasted for decades and that have so far characterized the district just as much as the car trade and the countless office spaces.
For all of them the question arises: who may stay, who must go, who has the money – and who doesn't?
That's why wer'e talking: Under the title ›Capital H – Of Land, Property and Places of the Commons‹, we will speak over three days, each on one of the topics that have long been the subject of many initiatives and cooperative projects. They want urban development with a different sign: collaborative, non-commercial and inclusive.
On the weekend of 14-16 May, we will bring different actors to theses topics into conversation and into your mobile devices. We will publish all these thoughts and ideas, create links (hopefully with you too!) and want to discuss the future of our cities.
There will be music, interviews, concerts, fence talks, readings and much more – among others with Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, and many more.
—————
More Information: https://hallohallohallo.org/de
@halllohalllohalllo @hallo.radio
16.5.2021
Hallo Hamburg, wir müssen reden. Denn auch an den Hamburger Osten schleicht sich an, was vielerorts schon lange Thema ist: Mit steigenden Boden- und Mietpreisen, dem Einzug internationaler Investor*innen und der Realisierung des Masterplans ›Stromaufwärts an Elbe und Bille‹ bahnen sich reale Konflikte und Bedrohungsszenarien für die oft über Jahrzehnte andauernden kulturellen, sozialen und gewerblichen Zwischennutzungen an, die bisher ebenso den Stadtteil prägten, wie der Autohandel und die unzähligen Büroflächen.
Für alle stellt sich die Frage nach der Zukunft: Wer darf bleiben, wer muss gehen, wer hat das Geld – und wer hat es nicht?
Daher reden wir: Unter dem Titel ›Captial H – Von Boden, Eigentum und Orten des Gemeinschaffens‹ sprechen wir an drei Tagen zu je einem der Themenkomplexe, die bereits seit Langem Gegenstand vieler Initiativen und Einzelpersonen in diesem Raum sind. Sie verhandeln kritische Perspektiven, vernetzen sich und entwickeln kooperative Projekte. Sie wollen eine Stadtentwicklung mit anderen Vorzeichen: gemeinschaftlich, nicht-kommerziell und inklusiv.
Am Wochenende des 14.-16.05. bringen wir mit der dritten Edition der HALLO: Radiospiele verschiedene Akteur*innen zu diesen Themen ins Gespräch und in eure Endgeräte. Wir veröffentlichen diese Auseinandersetzungen, Gedanken und Ideen, schaffen Verknüpfungen (hoffentlich auch mit Euch!) und möchten die Diskussion über die Zukunft unserer Städte weiter anfachen.
Seid gespannt auf Musik, Interviews, Konzerte, Zaungespräche, Lesungen und Vieles mehr – unter anderem mit Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, Trashboo und Vielen mehr.
—————— english version:
Hello Hamburg, we need to talk. Because what has long been a topic of discussion in many places is also creeping up on Hamburg's East: With rising land and rent prices, the arrival of international investors and the realization of the masterplan ›Stromaufwärts an Elbe und Bille‹ (Upstream on the Elbe and Bille), conflicts and threat scenarios becoming real for the cultural, social and commercial uses. Uses that have often lasted for decades and that have so far characterized the district just as much as the car trade and the countless office spaces.
For all of them the question arises: who may stay, who must go, who has the money – and who doesn't?
That's why wer'e talking: Under the title ›Capital H – Of Land, Property and Places of the Commons‹, we will speak over three days, each on one of the topics that have long been the subject of many initiatives and cooperative projects. They want urban development with a different sign: collaborative, non-commercial and inclusive.
On the weekend of 14-16 May, we will bring different actors to theses topics into conversation and into your mobile devices. We will publish all these thoughts and ideas, create links (hopefully with you too!) and want to discuss the future of our cities.
There will be music, interviews, concerts, fence talks, readings and much more – among others with Gabu Heindl, Eva von Redecker, WERK – Haus Neuer Arbeit, Alster-Bille-Elbe PARKS, and many more.
—————
More Information: https://hallohallohallo.org/de
@halllohalllohalllo @hallo.radio
16.05.2021
Interview with Elena Biserna, discussion on 8 march 2020, Hong Kong protests, Wi Watt Heure.
17.5.2021
17.05.2021
Created during Tsonami 2019 in Valparaiso (were I was invited by Eric Mattson), was inspired by the sonic use of pots and pans in the chilean social movement. Source recordings were made one encounter after another in Valparaíso: each person was invited, according to his or her own rhythm and energy, to bang on an object chosen for its sonic or symbolic qualities. The piece explores the polyphony that results from the superposition of these pulsations, and the serendipitous multiplicity of rhythms that emerge. is protest trance music.
Released online by ORAL_Records, download fees are entirely donated to a community organization to support the organisation of the social, territorial, student and political struggles in Valparaíso.
18.5.2021
18.05.2021
Un 8 mars « à plusieurs voix »
Conçue et réalisée par Elena Biserna et Carole Rieussec. Avec les contributions de : Merce Almuni Calull, Caroline Boë, Juliette Bonnafé, Collectif de mobilisation Féministes Antiracistes & Café Congo, Fernando Fuentes, Julie Gilbert, Laëtitia Hell-Gonzalez, La Lleca, MEUFs!, Natacha Muslera, Rocío Nejapa, Lorena Mendez, Non una di meno Milan, Radiorafales, Adriana Rodriguez, Claire Serres.
18.05.2021
Welcome to Low Key Music podcast #1!
In this show which is thought of as a light and easy game on sound the rules are the following: Every time one person/group starts with a sound, a noise, (a) word/s, silence, a field recording or else, then a second group/person adds a second layer to it/manipulates it and so on. No hard feelings if it sounds completely different/distorted after the adding of additional layers! This goes until one person/group declares the piece as finished. The game wants to be open to everyone. Please ask for assistance, if you want to participate, but do not know how!
This time we have two pieces by a total of eight contributors. The first piece had six participants, which in chronological order were Dominik Linder, Saltrope, Karla Bauer, Lara Bogan, Lisa Mersmann and avizohar. — The second piece had two rounds which were contributed by Karla Bauer and Philomena Lauprecht, again in chronological order.
Thank you for listening to low key podcast #1!
Please contact us at lowkeymusic.orsimanirana@gmail.com if you want to contribute to the show, send us your pieces or ask us to send us something you can play another layer on.
— You can also write us an email if you would like to comment on the show.
18.05.2021
"Nodes of ∏node" is a show specially made by the ∏node collective for the Planet Orsimanirana voyager sonic UFO. It is a non exhaustive tour of the initiatives, works, projects and sounds around the ∏node community. From radical sonic activism to deviant and alternative computing infrastructures, the show broadcasts sonic excerpts of performances and compositions made from and within recent social movements (11/05), interviews with the shadow forces behind self-organized sound art festivals and temporary autonomous (artistic) zones that take advantage of specific infra-urban or rural situations (18/05), self-managed ISP, feminist and anarchist servers and deviant internet hosting mixed with the sound produced by these infrastructures (24/05), the pre-platforms streaming actions and performances, as well as some initiatives that use internet as a dedicated sonic material, media and instrument (31/05). Four mondays in May, live from 7pm to 9pm.
19.5.2021
WWH35 - Be Water
soundpocket, Fiona Lee et l’écho des luttes à Hong Kong. Conçue et réalisée par Elena Biserna et Carole Rieussec
19.05.2021
DADDIES ON ACID live streaming
w/ JUNE
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY WEDNESDAY from 20h until 00h
DADDIES ON ACID is a Berlin based queer collective. Sexy sounds coming from the dj booth is mixed with a Sound Machine that combine ambient music and spoken word, featuring Charlove, Pippa and Kassy La Voix, among many other freak-a-holic poets of the contemporary. The main intent of DADDIES ON ACID is to promote non-binary musicians, djs and performers and to represent an alternative to the white-male-dominated club and music scene in Berlin. In other terms DADDIES ON ACID want to represent a possible vision of the revolution/transformation of the contemporary.
Daddies on acid: https://soundcloud.com/daddies-on-acid
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
20.5.2021
20.05.2021
‘We’ll miss this when we’re on mars’ is an expanding field recording collection of sounds from earth: city noise, the mixing of human and non-human life and surrounding environments, forces of nature, accidental music, moments of joy. The more you listen the more you hear the rhythm.
In ‘the animal blessing’, an idiosyncratic choir of barking, meowing, chirping punctuates a sermon - in a unique ritual commemorating the human-nonhuman relationship. The extract is from a field recording of the 34th Feast of Saint Francis at the Cathedral of St. John the Divine in New York City. The annual service involves a grand Procession of Animals including a giant tortoise, goats, sheep, rabbits, swans, owls and others. Locals bring their pets and animal companions to line up for a blessing.
SATURNALIA RADIO SHOW! #6
Saturnalia Collective
Milan
20.5.2021
23:00 - 00:50
Category: Spirituality and Hegemony
Length: 110 min
20.4.2021
mixtape
Saturnalia Collective is happy to present its resident artists and a few selected guests from the previous editions of the festival.
Saturnalia festival is a gathering of a community spread throughout the world and bonded by a shared interest in experimental music, artistic practices and unusual means of social interaction. It takes place every year in June at Macao in Milan.
mmotherr is Tommaso Bonfilio’s solo project, former founding member of the band SabaSaba. In this new musical incarnation he works with cut-up tapes, effects and his voice. He now lives in Milan.
Francesco Birsa Alessandri aka Sense Fracture (Milano, Haunter Records, Macao) is a musician, writer, DJ, producer and promoter based in Milan, italy. Always interested in the intersections between music, politics, speculative imagination and the body, they developed it into an number of projects involving mostly electronic music and grassroots organization.
with
mmotherr
Sense Fracture
21.5.2021
Le Laboratoire Souterrain is an underground organisation, active in Paris City since 2014.
21.05.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
This time from Amsterdam with power couple Ola Rose & Nina Katarakt for an hour of deconstructed paradigms of dj mix and ear candies.
17.04.2021
a conversation with OBOT, artist in residency on Life on the Planet Orismanirana.
Perturbant Fluids is a cellular projector made from simple materials. It results from a humid, wet, fluid, sticky, greasy, soaked, contaminated experience – a space where liquids pour. It makes visible the multi-species interdependence that keeps us alive as literally orgasmic. It aims to enhance and disseminate bodily autonomy and rethink possible relationships with the "perturbing" entities that embody us. It is part of ongoing research of radical optical consensus at 100x and 250x, through a commoning hack of the boundaries between what has been labelled for a long time as strictly internal or external to the human body.
OBOT is a project born in 2020 by Maddalena Fragnito and Zoe Romano. Their work is concerned with a trans-feminist and queer perspective in the study of science and technology, where they address methods to lower the barrier towards the production of scientific knowledge by making an inclusive accessibility to tools, protocols and data, and by promoting collaborative inquiry.
21.05.2021
INTERZONE live streaming
w/ BERGEN + HANSI
Live visuals by Pixelflowers: https://live.autistici.org/#daddiesonacid
EVERY FRIDAY from 20h until 00h
Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war…A place where the unknown past and the emergent future meet in a vibrating soundless hum.
Interzone: https://interzone.porn
https://www.mixcloud.com/Interzonebln/
Daddies on acid: https://soundcloud.com/daddies-on-acid
Complete Streaming Archive: https://archive.org/details/pixelflowers
Pixelflowers: https://pixelflowers.noblogs.org
Muschi Muschi: https://www.muschimuschi.com
TONIGHT LIVE STREAMING: https://live.autistici.org/#daddiesonacid
22.5.2021
The JRM - le Jardin de Recherches Musicales, is a radiophonic event in Paris situated on the disused little belt railway that goes all the way round Paris. interview with Dinah Bird and Jean-Philippe Renoult
22.5.2021
Public space often influences people’s subconscious with its commercial and subliminal enticements. Directing the consumer’s gaze, manipulating the atmosphere and presenting an abstract system of values through symbols and icons to identify with.
In order to map exactly how public space affects his decision-making processes, mood, feelings of safety or desire, Alban Karsten decides to mine his subconscious with the help of a hypnotherapist. Together they compile a list of 44 questions for his subconscious to answer, ranging from “Do you feel happy when you cross the street?”, to “Does public space belong more to you than to companies?”, and “Do you ever fantasize about vandalism when you are in public space?”.
Their session takes off by identifying the challenges and temptations to try to reflect the specific language of public space, ownership, emotions, and impressions. The hypnotist asks if there are things in specific places that need to be added, modified, or taken away. In this way the hypnotist tries to get the subconscious to come up with concrete ideas for interventions or works of art. This will result in a podcast, followed by a longoing series of public interventions, suggested by his subconscious while under hypnosis.
23.5.2021
Rodolphe Alexis Live in JRM, Paris, 2018.
24.5.2021
24.05.2021
"Nodes of ∏node" is a show specially made by the ∏node collective for the Planet Orsimanirana voyager sonic UFO. It is a non exhaustive tour of the initiatives, works, projects and sounds around the ∏node community. From radical sonic activism to deviant and alternative computing infrastructures, the show broadcasts sonic excerpts of performances and compositions made from and within recent social movements (10/05), interviews with the shadow forces behind self-organized sound art festivals and temporary autonomous (artistic) zones that take advantage of specific infra-urban or rural situations (17/05), self-managed ISP, feminist and anarchist servers and deviant internet hosting mixed with the sound produced by these infrastructures (24/05), the pre-platforms streaming actions and performances, as well as some initiatives that use internet as a dedicated sonic material, media and instrument (31/05). Four mondays in May, live from 7pm to 9pm.
25.5.2021
For the past 18 months I have spent a lot of my time in forests wondering about the connections between forest and city. Perhaps having been raised in the urban environment, I have found it very difficult to even find where to start my artistic exploration of forests. The stories on audio tapes about forests I had been endlessly listening to as a child seemed completely out of date, and perhaps even out of place. I had to carve my own audio path through the woods. For the past 18 months I have spent a lot of my time in forests looking into the connections between forest and the universe. When walking in a forest at night, you see stars more than trees and trees more than your own feet. The body of work I have been developing throughout the Embedded Residency program with Sound and Music and Forestry Commission England consists of trying to invent new connections between us and the forest, of elaborating situations and fiction over distance and audio communication devices. Other branches of the body of work will include a sound recording of a peri-urban area from the perspective of a fox (made using a home-made GPS collar), an object resulting of the hybridisation of a radiotelescope and a fox ear, a collection of conversations with rangers from the Forestry Commission and astrobiologists about life, time and space !
26.5.2021
15.4.2021
a conversation with the Institute of Radical Imagination in residency on Life on the Planet Orismanirana.
The Institute of Radical Imagination states that while the art market confirms its status as a safe-haven for assets of the financial elite, the current pandemic has highlighted the fragility and precarity of art workers around the world, a condition common to a growing portion of humanity. In this situation Universal Basic Income represents a solution and urgent measure to implement. It is not only a response to poverty, but a necessary condition in order to rethink our ecological model, correct many race and gender asymmetries and, last but not least, to change the art world’s present neoliberal structure. UBI must be seen as a tool to open up new subjective spaces, alternative to the dominating entrepreneurial individualism and focused instead on commons and care.
If artists are already creating new collective economical models and alter-institutions, these small scale experiments will be much more valuable when connected with the growing social movements around the world fighting for a Universal Basic Income.
The Institute of Radical Imagination is a group of curators, activists, scholars and cultural producers with a shared interest in co-producing research, knowledge, and artistic and political interventions aimed at implementing post-capitalist forms of life.
Last winter, France experienced the longest strike in its modern history. Launched in opposition to a pension reform project, the strikers’ demands very quickly joined the sectors already struggling in a deleterious socio-economic context: health, justice, university, transport, energy, arts, education and media converged in the streets with the gilets jaunes aka yellow vests that had been demonstrating and occupying roundabouts for more than a year.
Many alliances were formed: lawyers took up the song of the yellow vests, strikers from Radio France investigated a strike by cleaning women, queer collectives defended a striking bus driver fired for homophobic insult, even artists joined the procession, that preceded the unions in the streets and formed the majority of the demonstrations.
This social movement is a multitude that agrees on one thing: to get rid of Macron and his world. Only the containment due to the coronavirus will put an end to this political sequence, and the reform will finally be suspended.
This episode of Radia is a subjective attempt to put this moment in sound. Recordings made during demonstrations, sound creation and political reflections are mixed to illustrate the bubbling political atmosphere and sonic environment of this period.
Interventions:
. Judith Butler : « On Demonstrating Precarity » - 2015
. Michel Foucault : « Interview at the Université Catholique of Louvain » - 1981
. Michel Foucault : « Debate with Noam Chomsky on Human Nature » - 1971
. Hakim Bey : « Waiting for Revolution » in T.A.Z – 1991, read by Stephanie Boubli & DinahBird
Picture : Annabelle Salvan
Made for the Radia Network
Thanks to : Léa Roger, Méryll Ampe, BSP Barbès, Miliani, Sarah, Lola.
27.5.2021
The 8th guest of Sceneries not Songs is Funclab Collective.
"Sceneries not songs" is a radio show exploring sounds as construction materials. The radio show becomes an experiment envisioning possible new collective architectures. "Sceneries not songs" takes inspiration from the homonymous album by the Chicago master Larry Heard.
"Sceneries not songs" is curated by Parasite 2.0 and Antropofago Productions.
A Primordial Coup without Causing Injury (How to Demand the New World). We wake up after the party with a hang-over. But still, fuelled by the collective joy, we face this final section to see what we can discuss and decide together, in order to create concrete next steps for action in the future. A series of broadcasts, as a kind of Assembly of Assemblies involving all of the collaborators, will be broadcast to discuss and decide on hopeful concrete outcomes that could exist beyond the scope of Life on Planet Orsimanirana and affect the reality we live in. Prayer emoji here.
28.5.2021
NoPN Special interview with Les Concerts Dispersés - Yann Leguay, Arnaud Rivière, Jérôme Fino
29.5.2021
29.5.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is with DJAlim, From Istanbul to Berlin with a fine selection of ambient, folk and obscure de-compressive music for another weekend morning.
Julien Clauss presents Modulation - a 24 hours continuous mini-fm radiophonic bivouac, that takes place every summer since 2010 in the moutains of Drome or Hautes-Alpes. With exceprts of performances : Le Chant des Machines - PACE by François Parra & Fa Cesario, L'Art d'écrire pour la radio by Emma Loriaut, Anne-Laure Sarazin & Julien Clauss, and Céline Naji & Étienne Bultingaire
31.5.2021
31.05.2021
"Nodes of ∏node" is a show specially made by the ∏node collective for the Planet Orsimanirana voyager sonic UFO. It is a non exhaustive tour of the initiatives, works, projects and sounds around the ∏node community. From radical sonic activism to deviant and alternative computing infrastructures, the show broadcasts sonic excerpts of performances and compositions made from and within recent social movements (10/05), interviews with the shadow forces behind self-organized sound art festivals and temporary autonomous (artistic) zones that take advantage of specific infra-urban or rural situations (17/05), self-managed ISP, feminist and anarchist servers and deviant internet hosting mixed with the sound produced by these infrastructures (24/05), the pre-platforms streaming actions and performances, as well as some initiatives that use internet as a dedicated sonic material, media and instrument (31/05). Four mondays in May, live from 7pm to 9pm.
2.6.2021
Our protest correspondent Mr K is in the middle of a charged rally demanding an unconditional basic income.
Pink Floyd makes a surprise guest appearance. The atmosphere is loud, bustling and militant!
3.6.2021
!Make Some Domestic Noise! is a collective online performance created in the context of the covid-19 lockdown. It can be described as an online domestic noise big band. As everyone was isolated at home, ∏ Node launched the Antivirus program in order to train people to join this online community with their own stream. Being alone at home can be stressful, but it can also reveal the beauty of everyday noises. On a weekly basis, people were invited by email to participate by playing with the noises of their home and stream the result.
4.6.2021
a feminist server / una servidora feminista. interview with spideralex and ooooo.be
04.06.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
51717 from New Yorks underground noise scene, invites us into her personal sensitive and mesmerizing world, Shabbat Shalom.
5.6.2021
5.06.2021
live in the exhibition with radio broadcast audio description
OUR PROJECT: NOMADIC DANCE SPACE is a space usage concept for research, rehearsals and encounters of all kinds. It hijacks different architectures, hacks into non-genre usage concepts and docks at institutions and places that don't have to be involved with dance in order to create artistic collaborations and test audience encounters and explore.
OUR BODIES IN THESE SPACES will focus on the somatic aspects of queer-feminist and political art making and will support other people in: remembering the bodies! Multiple bodies will be conjured to become a political and substantial „we“ in the context of their surroundings. If you need a score, a touch, a dance, a 3-D structure of your question or any tool for decision making ... come over!
Anand Dhanakoti, Aurora Brocchi and Girish Kumar are having an intimate dialogue with the exhibition space of Orsimanirana. A touch, a look, skin on material, the smell of the walls and the sand. Ursina is describing the scenery, touching all your senses.
6.6.2021
b01, Attack me please at 2.432Ghz, recorded in Surveillance Index in jan 2018, at le Bal, Paris. Mastered by Aymeric de Tapol.
9.6.2021
9.6.2021
15.00
Round table
NFT, Quadratic Vote and Common Wallets
Ruth Catlow (Furtherfield), Emanuele Braga, Cem Dagdelen (CurveLabs / The Sphere), Massimiliano Mollona (Goldsmith University/IRI) in discussion with Erik Bordeleau, Massimo De Angelis and Jerszy Seymour
We gather around this table projects and researchers that experimented in the last decade on how to use blockchain and crypto-economic for the process of commoning. The challenge here is how to use technology, not for a blind techno-optimism, replicating the capitalistic financialization of the social, competition and individualism, but on the opposite, how new technologies could infrastructure the planet to come. In this round table, we question how NFT, decision-making process, fundraising and common management of resources can be the technological answers to political questions.
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for the second part, follow the link:
https://radio-orsimanirana.com/p/?p=the-art-of-dao-lecture
17.00
Lecture
Erik Bordeleau
We Too Have a Code:
Notes Around Digital Commons and the question of Programmability
We need to cultivate a new feel of the infrastructure that is up to the challenge of political organizing in the digital age. How do we conceive of the becoming machinic of the social, and the becoming social of the abstract machines we are part of? And how does that concern the formation of cosmo-financial or crypto-scalable commons to come? Taking Deleuze & Guattari’s notion of surplus value of code as a starting point, this presentation will explore the question of organization as digital incorporation in an age of monetary experimentation, following the development distributed ledger technologies (DLT) and the emergent field of blockchain-based cryptoeconomics.
Lecture
Erik Bordeleau
We Too Have a Code:
Notes Around Digital Commons and the question of Programmability
We need to cultivate a new feel of the infrastructure that is up to the challenge of political organizing in the digital age. How do we conceive of the becoming machinic of the social, and the becoming social of the abstract machines we are part of? And how does that concern the formation of cosmo-financial or crypto-scalable commons to come? Taking Deleuze & Guattari’s notion of surplus value of code as a starting point, this presentation will explore the question of organization as digital incorporation in an age of monetary experimentation, following the development distributed ledger technologies (DLT) and the emergent field of blockchain-based cryptoeconomics.
10.6.2021
Compost Music is a sound recycling project that collects data waste in order to transform it into a new physical and audible experience. It is a cosmic junkyard to store and restore lost sound data that had been swallowed by the deep throat of cloud computing. A soundtrack to a movie that was never finished, old voice messages, anonymous sound samples, a holiday field recording, or a break-up song: Every single piece of data receives care and special attention on the junkyard.
The digital material will be recycled on an analog cassette and collected and curated as a V/A Compilation.
Once a month Compost Music sends out an open call to artists and non-artists to look out for spilled soundwaves inside the endless ocean of data waste. For the first edition of Compost Music, the collaborators of the planet Orsimanirana have taken the time out to dig into the depths of their personal storage media and comoputers to declutter and donate a number of mesmerizing and mad sounds that bring together an extraordinary composition of disarrangements and happy circumstances.
Curated and mixed by Philomena Lauprecht
13.6.2021
13.06.2021
TTnode collective Performance GOLEM ANTIVIRUS 1
15.6.2021
16.6.2021
16.6.21
Sadan Records is a Tel-Aviv based label, which aims to support local artists who focus on contemporary music production and visuals making. The label was founded in 2020 by a group of producers, CG Artists, and graphic designers. Sadan’s catalog is not bound to a specific style or aesthetic, the label encourages a leftfield approach to any sort of music.
17.6.2021
After the Maestro is a prototype tabletop RPG by artist Tom K Kemp. The game is set within an ‘anthropomorphised anatomy’ as seen in animations like ‘Once Upon a Time.. Life’, ‘Osmosis Jones’ and ‘Cells at Work!’, which depict the inner human body as a vast industrialised city, sustained by microscopic workers analogous to cells and microbes. In the game, players take on the role of groups of labourers during the aftermath of a successful labour emancipation within the inner body, where the ‘Maestro’, or centralised vital force of the body, has been removed.
Through collaborative storytelling and ludic mechanics, each session of the game generates a new narrative of anatomical and social re-organisation, complicating and estranging common body-politic metaphors into a tale of emancipatory body-horror.
In these broadcasts Tom is joined in a playsession of After the Maestro by Matt Colquhoun aka Xenogothic, and Lucy and Sean of the horror philosophy podcast Wyrd Signal and Deleuze and Guattari podcast Buddies Without Organs. Over these 2 episodes, Tom, Matt, Lucy and Sean use the game to tell a semi-improvised story incorporating biological fact, phenomenology, political analogy and ‘the body without organs’. How might toxiplasmosis parasites articulate their desires? What responsibility does spermatazoa have to its origin body? What lies beneath the ruins of a stopped heart?
In Episode 1, we meet the emancipated coalition of the Pineal Gland, Toxiplasma-gondii, Spermatazoa and Heart, and are introduced to the challenges of the post-Maestro City. Radical actions are taken, agency is questioned, and biological, social and physical laws are re-written.
About the cast:
Matt Colquhoun, AKA Xenogothic, is a blogger and author of Egress: On Melancholy, Mourning and Mark Fisher & editor of Postcapitalist Desire, and co-host of the Deleuze and Guattari podcast Buddies Without Organs.
twitter: https://twitter.com/xenogothic
https://xenogothic.com/
insta: instagram.com/xenogothic
Lucy and Sean host the horror/philosophy/queer theory podcast Wyrd Signal, with Sean also appearing on Buddies Without Organs with Matt
Wyrd Signal:
Soundcloud: https://soundcloud.com/wyrdsignalpodcast
Instagram: instagram.com/wyrdsignalpod
Twitter: twitter.com/wyrd_signal
Buddies Without Organs:
https://buddieswithout.org/
Twitter: twitter.com/bwo_pod
Tom K Kemp is an artist that uses RPG design, improvised filmmaking and animation to parse the eerie consequences of global bureaucratic and economic systems on intimate and immediate human relations. His works generate semi-autonomous Weird fictions, where gamification and collaborative storytelling are combined into a deviated method of complexity modelling.
www.tomkkemp.com
Twitter: https://twitter.com/AftertheMaestro
Instagram: instagram.com/tom_kkemp
Music for the episodes - Legal and General Life Solutions, kindly provided by Percival Pembroke - https://percivalpembroke.bandcamp.com/
Cover art designed with Oort
https://oort.network/
These episodes are hosted by Fanfare Amsterdam, recorded at Rupert Residency, Vilnius, and supported by Radio Orsimanirana at MKG Hamburg. The After the Maestro project is supported by the Stimuleringsfonds.
18.6.2021
Am 18. Juni startete und endete die Demo mit Kundgebungen am Jungfernstieg in Hamburg. Die Innenalster wurde bei 35°C umrundet.
Die Aerobicanimation zu Anfang gehört nicht zum Programm der FFF, sondern war ein auditiver Backdrop erzeugt durch „Active City“. Was sind die Songs, was die Slogans? Aus einem lebensfrohen Stimmengewirr tauchen einzelne Demonstrantinnen und Demonstranten auf.
18.06.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
Selector DJ Scabias with a fine mix full gems; post punk, industrial and leftfield fields of leftfield music.
Shabbat Shalom.
18.06.21
Ein Besuch beim Hamburger Klimacamp der Fridays For Future am Tag vor dem Auftakt der neuen Streikwelle.
19.6.2021
19.6.2021
The weekly morning show of our planet, broadcasting from all different mornings around the world.
This time is with musician, producer and DJ Tai Rona from Amuka, with a cloudy selection which slowly wakes ones heart and soul.
22.6.2021
22.06.21
Zwei Drittel aller Menschen jeden Geschlechts werden bis 2050 in Städten leben (DSW 2018). Hier finden sich auf engem Raum differenzierte Bedürfnisse, Hoffnungen und Träume. Doch trotz eman¬zipativen Bewegungen im letzten Jahrhundert bestehen weiterhin sexistische Aspekte in der Stadt¬planung (Koch et al. 2020). Die Belastung der Reproduktionsarbeit hindert Frauen an einer gleichbe¬rechtigten Teilhabe an der Erwerbstätigkeit und am Wohnungsmarkt. Das Ziel der Planung sollte es daher sein, gerechtere Räume zu schaffen. In diesem Audio-Essay wird sich der Frage angenommen, wie eine nicht-sexistische Stadt aussehen könnte. Auf der Suche nach Antworten bewegen wir uns in Form eines auditiven City Walk durch die deutsche Hauptstadt Berlin und sprechen über Stadtpla¬nung, Wohnen und Diversität. Drei Stationen vermitteln Ergebnisse feministischer Aneignung von (Stadt-)Raum in Theorie, Forschung und Praxis. Der wahrgenommene Raum während des Spazier¬gangs orientiert sich an planerischen Handlungsempfehlungen zu Sicherheit und Stadtentwicklung (Plan International 2020; Stadtentwicklung Wien 2013) sowie eigenen Ideen.
Die Audioessays, sind im Rahmen des von Eva Kuschinski geleiteten, interdisziplinären Seminars „Feministische Perspektiven auf Stadt und Wohnen“, an der HafenCity Universität Hamburg, entstanden.
“Man may work from sun to sun, but woman's work is never done.” ist der komplette
Ausspruch auf den sich der Titel unseres Audioessays bezieht. Unter dem Titel “A Woman's
work is never done”, entstand auch 1979 im See Red Women’s Workshop in London ein Druck der die Zweiteilung der Arbeit einer Frau im Haushalt (ein Beispiel für reproduktive Arbeit) in einer Fabrik (ein Beispiel für produktive Arbeit) darstellt. Im Zuge ihrer Masterthesis hat die Architektin und Urban Designerin Anna Seum eine aktuelle Version dieser Darstellung gezeichnet. Ausgehend von diesen Bildern sprechen wir mit ihr darüber, wie diese beiden Begriffe beziehungsweise die Trennung zwischen Haus- und Lohnarbeit entstanden sind und wie sie sich in Grundrissen materialisieren. Außerdem fragen wir wie sich Care- und Lohnarbeit unter aktuellen Bedingungen verändern und was emanzipatorische Ansätze in der Debatte sind.
Die Audioessays, sind im Rahmen des von Eva Kuschinski geleiteten, interdisziplinären Seminars „Feministische Perspektiven auf Stadt und Wohnen“, an der HafenCity Universität Hamburg, entstanden.
22.06.21
Während im privaten Rahmen unsere Gespräche sich um Eindrücke im öffentlichen Raum drehen, fehlt oft eine universitäre Berücksichtigung von Mobilität, Zugang und Sicherheit von Frauen. Wir bitten uns gegenseitig um SMS sobald wir sicher zuhause sind, klemmen unsere Schlüssel zwischen die Finger und tragen Pfefferspray bei uns, wenn wir uns im öffentlichen Raum befinden. Im Audio-Essay wollen wir uns mit der Frage auseinandersetzen, wieso viele Frauen im öffentlichen Raum Angst verspüren und was die Planung unserer Städte damit zu tun haben kann. Anhand einer historischen Einleitung betrachten wir die Konstruktion von Raum und Geschlecht und welche Auswirkungen das auf die soziale Praxis und bauliche Umwelt hat. Dies stützt die Auseinandersetzung mit Angsträumen, Place-Making und unserer Rolle als Stadtplaner:innen und -forscher:innen. Konkret geht es uns um das Bewegen durch die Stadt, sei es der Weg nach Hause, das Flanieren oder dem Nachgehen unseres täglichen Lebens in Städten.
Die Audioessays, sind im Rahmen des von Eva Kuschinski geleiteten, interdisziplinären Seminars „Feministische Perspektiven auf Stadt und Wohnen“, an der HafenCity Universität Hamburg,
22.06.21
Das neue „Normal“ in Pandemiezeiten hat die Relevanz und gleichzeitige Prekarität von Sorgearbeit mehr als deutlich gemacht. Im Audioessay „Being Relevant to the System is Female - Care-Work und Corona“ illustriert Sophia Hogeback anhand von internationalen Beispielen, was Corona für Care-Arbeiterinnen bedeutet. Dabei fokussiert sie die unsichtbaren Arbeiten, abseits von Krankenhäusern und Pflegeheimen, die oftmals ohne Möglichkeiten der Repräsentation oder politischen Organisation geleistet werden. Grundlegend dafür sind die auch unabhängig von der Pandemie wirkenden Mehrfachdiskriminierungen und sich überschneidenden Differenzkategorien, die soziale Reproduktionsarbeit zu einem prekären Arbeitsfeld machen. Im Audioessay werden sowohl die dahinterliegenden Produktionslogiken des Kapitalismus, als auch die Auswirkungen auf das alltägliche Leben der Arbeiterinnen beleuchtet. Dabei kommt die räumliche Ebene der Stadt, das sich Bewegen als illegalisierte Person und der Zusammenhang mit Gesundheit und Risikobereitschaft zur Sprache. Mit der „feminist ethic of care“, Ansätzen der Vergemeinschaftung und Commoning und Überlegungen zu grundsätzlichen Umstrukturierungen von Care-Work gebe ich einen Ausblick auf mittel- und langfristige Handlungsmöglichkeiten.
Die Audioessays, sind im Rahmen des von Eva Kuschinski geleiteten, interdisziplinären Seminars „Feministische Perspektiven auf Stadt und Wohnen“, an der HafenCity Universität Hamburg, entstanden.
Mit der Besetzung des Gängeviertels (im August 2009) entstand über Nacht eine selbstorganisierte „Traumstadt“ – mitten in Hamburg. Diese steht der Stadt des Ausschlusses und der Verdrängung, der Stadt des Höchstbieterverfahrens und der Stadt der Tiefgaragen, der Stadt des Marketings und der Stadt der Eventkultur entgegen. Das wirft die Frage auf, wie denn die Stadt eigentlich aussieht, in der wir alle leben wollen. Darüber möchte die Initiative „Komm in die Gänge“ eine lebhafte Diskussion in der Hamburger Stadtbevölkerung anregen, denn u.a. mit der Besetzung des Gängeviertels wurde die Frage zwar endlich auf die stadtpolitische Tagesordnung gesetzt, aber entsprechend unserer Forderung nach „Recht auf Stadt“ für alle, soll die Diskussion darüber vor allem von den StadtbewohnerInnen selber getragen werden."
Mitschnitt der Diskussionsveranstaltung vom 17. November 2009 aus der Jupi-Bar im Hamburger Gängeviertel, unter anderem mit Andrej Holm, Ingrid Breckner und Christoph Schäfer.
———
Aus dem Archiv des Freien Sender Kombinats.
www.fsk-hh.org
23.6.2021
An diesem Nachmittag wandelt ihr durch eine auditive Ver:Sammlung spannender Akteur:innen in Hamburgs Kämpfen um ein Recht auf Stadt und urbane Selbstbestimmung. Begleitet von Musik und Sounds des Planeten Orsimanirana könnt ihr euch umhören in der Welt des Aktivismus und der Kunst rund um die bedrohten, aber nicht aufzugebenden Orte der Hansestadt. Die Stadt gehört uns!
This afternoon you will stroll through an auditory collection of exciting actors in Hamburg's struggles for a right to the city and urban self-determination. Accompanied by music and sounds from Planet Orsimanirana, you can listen to the world of activism and art around the threatened, but not abandoned places of the Hanseatic city. The city is ours!
An diesem Nachmittag wandelt ihr durch eine auditive Ver:Sammlung spannender Akteur:innen in Hamburgs Kämpfen um ein Recht auf Stadt und urbane Selbstbestimmung. Begleitet von Musik und Sounds des Planeten Orsimanirana könnt ihr euch umhören in der Welt des Aktivismus und der Kunst rund um die bedrohten, aber nicht aufzugebenden Orte der Hansestadt. Die Stadt gehört uns!
This afternoon you will stroll through an auditory collection of exciting actors in Hamburg's struggles for a right to the city and urban self-determination. Accompanied by music and sounds from Planet Orsimanirana, you can listen to the world of activism and art around the threatened, but not abandoned places of the Hanseatic city. The city is ours!
Nicht weit entfernt vom Gängeviertel ist das wohl älteste soziale Zentrum Hamburgs, die Rote Flora, noch immer besetzt und noch immer bedroht. Vor dem Hintergrund der beiden Projekte wird darüber diskutiert, was „Autonomie“ in der wachsenden Stadt bedeutet? Wie kann sie verteidigt werden und auf welchen Wegen kann sie verloren gehen? Und welche Erfahrungen gibt es mit diesen Fragen in Kopenhagen, wo die Ungdomshus-Bewegung 2006/2007 die Stadtpolitik ebenso herausgefordert hat wie aktuell die Konflikte um ein „Recht auf Stadt“ in Hamburg.
Am 25. November 2010 diskutierten Esk Katzeff von der Forschungsgruppe openhagen aus Kopenhagen, Hannah Kowalski vom Gängeviertel und ein Vertreter der Roten Flora, moderiert von Peter Birke, über das Thema "Die Autonomie und ihre Grenzen - Soziale Zentren in Kopenhagen und Hamburg"
Podcastversion der Veranstaltungsaufzeichnung aus dem Hamburger Gängeviertel und erster Teil der Reihe „Wir gestalten die Stadt, in der wir leben wollen – aber wie?“
———
Aus dem Archiv des Freien Sender Kombinats.
www.fsk-hh.org
24.6.2021
23.6.21
Here comes the second talk contemplating on the exhibition's section
"Anthropocentric Pleasure" - How to live the new world, going deeper on
the topic of "Education". Planet Orsimanirana connected with Bisrat
Negassi (fashiondesigner and co-founder of Mbassy, Hamburg), Fran
Edgerley (Assemble, London), Jerszy Seymour (artist, co-founder of Dirty
Art Apartment, Amsterdam), Luke Freedman (Banana Mountain, Andalucia)
and Emanuele Braga (Macao, Milan) to ask how education on Planet
Orsimanirana can look like?
TinTin Patrone and Felix Mayer are presenting selected music and playing live as a duo.
TinTin Patrone and Felix Mayer are presenting experimental music by outernational fellow
artists and their statements to the featured works, as well as performing live as a duo.
With music by: Janneke van der Putten, Jana de Troyer, Wojtek Kurek, Kris Kuldkepp,
CCOOWWSS, Chi Him Chik, Joee Mejias, Kopy and PAF.
Janneke van der Putten - Workshop performance Voice and Space in MAMCS
Jana de Troyer – shadows are only two-dimensional
Wojtek Kurek – bulba,
Kris Kuldkepp – horror utopia
CCOOWWSS – Orbit,
Chi Him Chik – From Chaos, with Love,
Joee Mejias – pinagmulan
Kopy – 1990
PAF – Qualle + Müde
Affirmative oder auch „immaterielle“ Arbeit wird in der Debatte der kritischen Sozialwissenschaft aktuell häufig als neue dominante Figur begriffen. Auch die Bedeutung der so genannten „kreativen Klasse“ wird hieraus abgeleitet. Peter Birke (Sozial.Geschichte Online, Hamburg) diskutiert mit dem Autor des Buches „Körper der Multitude“ Robert Foltin (Grundrisse, Zeitschrift für linke Theorie & Debatte, Wien), ob und wie sich diese Thesen auf soziale Kämpfe in der Stadt beziehen lassen."
Podcastversion der Veranstaltungsaufzeichnung aus dem Hamburger Gängeviertel und zweiter Teil der Reihe „Wir gestalten die Stadt, in der wir leben wollen – aber wie?
———
Aus dem Archiv des Freien Sender Kombinats.
www.fsk-hh.org
25.6.2021
25.06.25
The Sound work “Weather Report” raises with the question/idea that there is a correlation between mental illnesses and
natural disasters. How can one maintain mental balance when the weather is
unstable, when there is no reassurance and climatic security? Is it possible to think
of the state of the world or nature as of a post-traumatic state? Think of the
earth as a body that has been continuously abused and has symptoms that
are manifested in the behavior of its climate and treatment towards its
inhabitants?
"Im Rahmen der Proteste gegen die Haushaltskonsolidierung und Kulturkürzungen hat der prekarisierte Teil der sogenannten „kreativen Klasse“ als artikulationsstarke Gruppe an Bedeutung gewonnen. Aber ob im Altonaer Museum, in der Kunsthalle oder im Gängeviertel – die Arbeitsverhältnisse derer, die diese Orte zu dem machen, was sie sind, sind häufig durch hohe Selbstständigkeit und gnadenlose Überausbeutung bestimmt. Diese Entwicklung spielt, wie wir anhand einiger Beispiele zeigen werden, auch in anderen europäischen Metropolen eine Rolle. Zur Bedeutung dieser Debatte in Hamburg wird sich Arndt Neumann vom Büro 9 to 5 äußern."
Podcastversion der Veranstaltungsaufzeichnung aus dem Hamburger Gängeviertel und dritter Teil der Reihe „Wir gestalten die Stadt, in der wir leben wollen – aber wie?“
———
Aus dem Archiv des Freien Sender Kombinats.
www.fsk-hh.org
26.6.2021
26.06.2021
Achtung: ‘''Live On Air’'' ° Schalt ein, halt aus
Beitrag #5
Liebesschrei in die Zukunft / Lovescream into the future
Eine Sexed-Gender-Studies-Sendereihe
Kunst-Interviews und fatale Femme-Sounds von und mit Pachet Fulmen
Mit einem Statement von Timon R. Böse, Kunsthistoriker und Autor aus Berlin
ZuhörerInnentelefon +49 (0)40-20912367
www.pachetfulmen.com
Dieses mehrteilige SenderEihe von Pachet Fulmen auf Radio Orsimanirana ist Teil ihrer künstlerischen Arbeit, unterstützt durch den von der Dorit und Alexander Otto Stiftung und der Hamburgischen Kulturstiftung initiierten Hilfsfonds »Kultur hält zusammen«. https://www.kulturstiftung-hh.de
Den Livestream mit Apple Geräten zu verfolgen ist aus technischen Gründen meist leider nicht möglich.
Empfohlen sind: Chrome am Computer und Android Betriebssystem am Handy. Wir arbeiten dran!
29.6.2021
For Six Electroacoustic Voices reflects the author's ongoing research in just intonation and microtonal composition. Utilising analogue oscillators, tape machines and organ recordings, the author tunes each voice within the 5-limit tonality diamond of Harry Partch. By eliminating rhythmical structure, the composition focuses on the gradual change of chords and intervals.
Composed & performed by Alexander Iliashenko
Recorded by Nikita Kotliar
Live @ MKG Hamburg
7.7.2021
7.7.2021
Rimaflow in dialogue with Jerszy Seymour Design Workshop and Macao.
New World Projects is a mattress made from recycled foam blocks wearing a smiley face for an optimistic outlook. It serves as a symbolic prototype for the possible creation of a utopian industry, which will be discussed during the radio program of Life on Planet Orsimanirana as an ongoing project between Rimaflow, the workers occupied factory in Milan, Macao and Jerszy Seymour Design Workshop.
Rimaflow is a social cooperative on the outskirts of Milan established in 2012 with the occupation of the Maflow car parts factory by its workers who had been made unemployed after production had moved to other countries with cheaper labour. Rimaflow now functions as a decentralised worker controlled factory for reuse and recycling, and center for social activism and solidarity.
8.7.2021
The weekly morning show of Planet Orsimanirana are happy to host the upcoming release from Tel Aviv based label 'Sifon' from Aviad Zinemanas- a music producer from Tel-Aviv.
APART is the debut EP by Aviad Zinemanas, this EP explores different feelings that are evoked when you are missing someone you love. Blending synths and orchestral strings the EP moves between five different cinematic and deeply emotional scenes.
The Fire Sermon inhabits a world where artists adopt outlandish personas against a backdrop of a society in permanent crisis. Solid Mercury and Dead Stirnerman host an artistic broadcast trying to turn the ever-changing situation to their advantage to support their show.
Things are looking good as the studio radar protects them from outside threats and a government work programme has led to them securing a new intern to work beneath them. However, their plans are upended when their guest, the famous Doctor Design, reveals a new discovery outside the crisis zone.
In this short radio play, Sophia Simensky and Leslie Lawrence address the idea of employment as a moral value and question whether there is an opportunity in crisis to prioritise social relationships instead of work as an end in itself. Artist Janina Fritz features as 'Doctor Design' and Constantin Dichtl appears as 'The Intern'.
Die experimentelle Improvisationsmusik von машин капут (maschin kaput)
bewegt sich frei zwischen der kaputten, krachenden Rhythmik eines
heruntergekommenen Walzwerks und dem stillen Widerhall eines ungeölten
Einkaufwagens an den nächtlichen Fensterfronten. Eine akustische Wohltat
für die ästhetisch verkommene Seele des modernen Stadtmenschen.
The experimental improvisational music of машин капут (maschin kaput)
oscillates freely between a broken, belling rhythms of a desolate
steel-mill and the nearly indiscernible echo a under-oiled shopping cart
bounces off the urban facades at night. A sonic therapy for the
aesthetically tortured soul of the modern urban dweller
11.7.2021
Für einen Nachmittag schlagen Supinice Brücken in den Garten des Freiraums.
Inklusive Radio-Beitrag, gesunden Weisheiten und anderen Überraschungen.
Der Freiraum des MK&G ist als offener Projektraum kostenfrei während der Öffnungszeiten des Museums zugänglich. Besucher*innen des Freiraums buchen bitte das Freiraum-Ticket. www.tickets.mkg-hamburg.de
14.7.2021
14.7.21
Sadan Records is a Tel-Aviv based label, which aims to support local artists who focus on contemporary music production and visuals making. The label was founded in 2020 by a group of producers, CG Artists, and graphic designers. Sadan’s catalog is not bound to a specific style or aesthetic, the label encourages a leftfield approach to any sort of music.
15.7.2021
With Euro 2020 coming to an end, Leslie Lawrence, Warren Andrews and Dominic Letschka discuss what football would look like in the more utopian society of Planet Orsimanirana. Who will play each other if we abolish national borders? What does a kit manufactured without exploitation look like? Why exactly do Gazprom advertise so much if you can't buy anything directly from them? Can IFAB be replaced by a people's council that will fix VAR?
16.7.2021
18.06.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
Gursski is a tattoo undertaker in Studio Straus and a deliverer of hip hop in its brutal form.
Shabbat Shalom.
17.7.2021
17.07.2021
Broadcasted Live from the manifestation near Hamburg trainstation (Steindamm/Adenauerallee), by the group Lampedusa in Hamburg, supported by Radio Orsimanirana!
ENGLISH We, the group Lampedusa in Hamburg, have been fighting for our right to stay in Hamburg since 2013. For our many actions and demonstrations, the information tent on Steindamm became the symbol of our struggle. In March 2020, the police raided the tent violently under the excuse of the preventing Corona virus spread - although we had taken all necessary measures to protect ourselves and our visitors. When will the pandemic be over? Nobody knows. But we need the tent as a place to organise ourselves and to have a place to go, as many of us are homeless. We call on all Hamburgers to support us in bringing back the tent. — Vaccinations for all! Stop racism! Housing for all!
DEUTSCH Wir, die Gruppe Lampedusa in Hamburg, kämpfen seit 2013 für unser Recht in Hamburg zu bleiben. Für unsere vielen Ak- tionen und Demonstrationen wurde das Informationszelt am Stein- damm das Symbol unseres Kampfes. Im März 2020 hat die Polizei es in einer gewaltsamen Razzia unter dem Vorwand abgeräumt, dass der Ausbreitung des Corona-Virus vorgebeugt werden müsse - ob- wohl wir alle notwendigen Maßnahmen ergriffen hatten, um uns und unseren Besuch zu schützen. Wann wird die Pandemie vorüber sein? Niemand weiß es. Doch wir brauchen das Zelt als Ort, um uns zu organisieren, und ein Anlaufpunkt zu haben, da viele von uns woh- nungslos sind. Wir rufen alle Hamburger:innen auf, uns dabei zu un- terstützen, das Zelt zurückzubringen. — Impfungen für alle! Stoppt den Rassismus! Housing for all!
18.7.2021
/w
Lara Bogan
Karla Bauer
Philomena Lauprecht
Nora Kühnholdt
Itzik Gil Avizohar
A lecture composed of excerpts from plants and herb lexica with live growing sounds from the Orsimanirana Radio Room.
Der international bekannte Künstler und Designer Jerszy Seymour erschuf gemeinsam mit Amica Dall vom Londoner Architekturkollektiv Assemble und Emanuele Braga, Mitglied der Künstler*innen- und Aktivist*innengruppe Macao in Mailand, im Museum für Kunst und Gewerbe Hamburg (MK&G) eine fantastische und humorvolle Welt, die zwischen Ausstellung, Radiosender, Workshop und Performanceraum oszilliert. Als dezentral und dynamisch angelegtes Projekt des Weltenbaus folgt Life on Planet Orsimanirana der Idee des „Non-Gesamt Gesamtkunstwerks“. Mit diesem Projekt setzt das MK&G sein Bestreben fort, sich für mehr Beteiligung und Dialog zu öffnen. Das Projekt richtet sich an alle, die Lust haben, im Museum aktiv zu werden und die Kraft der gemeinsamen Gestaltung zu nutzen, um über neue Wege und Antworten auf die brennenden Fragen der Gegenwart nachzudenken.
Diesem Aufruf ist das Hamburger Label Verflixt Music gefolgt und hat passend zu den Locations DJs ausgewählt die mit ihrem Sound die Kunst mit rhythmischen Beats verknüpfen. Das DJ Duo Bizzarro Universe spielt in dem knalligen, in pink und neongrün gehaltenem Performance Raum von den 80ern inspirierten Indie Dance und Dark Disco. Der zweite, dunkel gehaltene Raum wird dann von Convinzed mit melodischem und düsteren Techno beschallt, immer beäugt von einer Alien-Statue, die ihm über die Schulter schaut.
Die Premiere der Streams erfolgte am 11.07.2021 um 19 Uhr über YouTube.
Bizzarro Universe, 11.07. 19 Uhr:
https://youtu.be/R83pww5WNEg
Convinzed, 11.07. 20 Uhr:
https://youtu.be/dcYgfX4UMdY
19.7.2021
Auf dem Gebiet der Aurakadiografie gibt es zahlreiche Methoden. Hierbei muss stets Primäres von Sekundärem unterschieden werden.
People from the audience and Detektor jamming together in the Museum on the aftermaths of their performance.
21.7.2021
Richard Ojijo
„Sound is only as good as the weakest link in the signal chain.“
Richard Ojijo lives and works in Cologne. He spent the 1990s either in relevant Cologne clubs such as Warehouse, Iz and Studio 672 or getting acquainted with the endless world of electronic music with likeminded new producers such as Boris Bontempi, Heiko Voss and Alexander Geiger. Since the late ‘90s, Richard Ojijo has worked as a live engineering for musicians including Joy Denalane, Freundeskreis, Moderat, GAS, 0neohtrix Point Never, Max Herre, Modeselektor, Apparat, Roosevelt and many more. There are no genres he’s afraid to explore – from techno and urban, to reggae and dub, to soul, he finds it all enticing. As a studio and recording engineer, his clients have included the likes of Cody ChesnuTT, Selah Sue, Samy Deluxe and Patrice.
Richard Ojijo composes and creates soundtracks to the politically charged videos of Cologne artist Marcel Odenbach, which are exhibited at museums around the world.
He has been teaching the ‘Sound & Effects’ module at the Institute for Pop Music at the Folkwang University of the Arts in Bochum since 2015, where he provides insights into new soundscapes.
Artist: 1key
Title: Trekking Moses
Synopsis
It's October 2020, eight months after the first case of covid-19 was announced in Rwanda. In the capital city, Kigali, five creatives are exchanging voice messages about the pandemic on an encrypted app. They get hacked. Then one of them goes missing.
Bio:
1key, government name Ngangare Eric, is an independent recording artist, emcee, performer, writer, filmmaker, poet, spoken word artist, actor, cultural shaker/shaper and mover exploring various formats of storytelling. Subjects that reoccur in his work touch on identities— individual and collective— power systems and society dynamics. He is a relentless DYI craftsman who doesn't wait for opportunities, he creates them.
Born from a Congolese father and a Rwandan mother whose family had sought exile in Zaïre (Democratic Republic of Congo now), 1key spent his childhood shifting from one neighborhood to another, village to village, city to city, a number of countries across Africa to finally settle in Rwanda in 1997. Well, for a bit because he never stopped moving.
In less than 5 years going pro, 1key has performed - and conducted creative workshops in some of- the following countries: Rwanda, Burundi, Kenya, Tanzania, Uganda, France, Belgium, and Germany.
22.7.2021
Performance by Jerszy Seymour, Andrea López Bernal and the Dirty Art Department
with Jason Harvey, Kitty Maria Van Ekeren, Anand Dhanakoti, Rose Marie Lindstrøm Andersen, Aurora Brocchi, Itzik Gil Avizohar, Nikita Kotilar, Philomena Lauprecht. Dominik Linder.
Functioning both as an end and as a beginning, Sunrise Apocalypse is a contemporary performance work as a collision between a living system and the problematic of the human condition as an experimentation and possible pre-configuration into new forms of collective life. Inspired by the 'Fight Specific' workshops of Emanuele Braga and Macao, each performer seeks a 'specifity' and 'intimacy' with themselves and uses this as material to participate in a performance jam as a post language form of democracy. The question then is what happens when they start to loose their own notion of self?
Video contribution by Ursina Tossi, Sina Rundel and Friederike Höppner with the support of Team Orsimanirana: Karla Bauer, Lara Bogan, Nora Kühnhold, Lisa Mersmann, Chinook Ulrich Schneider.
23.7.2021
23.07.2021
די טרויעריג באַרימט סטראַוס סטודיאָ פֿון מעאַ שערים אין הייליק ירושלים, גיט יעדער צוואיטר שבת סאָונדס פון זידלען רויב און שיקסאַ אויף פּלאַנעטאַ אָרסימירנאַנאַ.
This time with Berlin based electronic producer GIL for an hour mix full of experimental electronics, leftfield rhtyhms and mesmerizing synths.
Shabbat Shalom.
24.7.2021
24.7.2021
The ritual known as Satanico Cumbion, with origins in the basements of Hamburg, has now reached the surface to thicken the air with sounds of slow cumbia, dubs and experimental textures. Find yourself lost in time and space with only one question in mind – what the hell is going on?
10.6.2021
Talk Show
25.7.2021
Sunday, July 25th 2021
Todays guests on Planet Orsimanirana are three activists from "Housing for All", a group supporting and organizing living situations for those often excluded from housing in Hamburg, due to neoliberal politics of our urban spaces. Learn more about their situation, activism and how you can help!
contact: housingforall@riseup.net
25.7.2021
Achtung: ‘''Live On Air’'' ° Schalt ein, halt aus
Live-Performance aus dem Ausstellungsort LIFE ON PLANET ORSIMANIRANA
Mit anschliessender Möglichkeit zur Diskussion und zur Frage: „Was gibts Neues, Dr. Noise?“
Letzter Beitrag im Rahmen der Sexed-Gender-Studies-Sendereihe DAS IST PUNK: Kunst-Interviews und fatale Femme-Sounds von und mit Pachet Fulmen (pachetfulmen.com)
Diese mehrteilige Sendereihe von Pachet Fulmen auf Radio Orsimanirana ist Teil ihrer künstlerischen Arbeit, unterstützt durch den von der Dorit und Alexander Otto Stiftung und der Hamburgischen Kulturstiftung initiierten Hilfsfonds »Kultur hält zusammen« (www.kulturstiftung-hh.de)
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Den Livestream mit Apple Geräten zu verfolgen ist aus technischen Gründen meist leider nicht möglich.
!!! Empfohlen sind: Chrome am Computer und Android Betriebssystem am Handy!!!
Home recorded radio session with keyboards, vinyls, books, flutes and other verbal- and non-verbal electro-acoustic communication tools to pass the time. A space to rehearse and experiment inside the frame of the unplanned sending musical dedications, revolving words and radio dreams into the world.